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Basement Tapes
 
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Basement Tapes
~ Bob Dylan (Artist)
4.0 out of 5 stars 6 customer reviews (6 customer reviews)
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Track Listings
1. Odds And Ends
2. Orange Juice Blues (Blues For Breakfast)
3. Million Dollar Bash
4. Yaroo Street Scandal
5. Goin' To Acapulco
6. Kate's Been Gone
7. You Ain't Goin' Nowhere
8. Don't Ya Tell Henry
9. Nothing Was Delivered
10. Open The Door Homer
11. Long Distance Operator
12. This Wheel's On Fire
13. Lo And Behold
14. Bessie Smith
15. Clothes Line Saga
16. Apple Suckling Tree
17. Mrs Henry
18. Tears Of Rage
19. Too Much Of Nothing
20. Yea Heavy And A Bottle Of Bread
See all 24 tracks on this disc

Product Description
Amazon.co.uk Review
The Basement Tapes can be heard as a manifesto for the 1990s underlying Americana agenda or as the greatest album never intended for commercial release. Homegrown 1967 recordings taped in the Band's fabled Big Pink hermitage in Saugerties, New York, many of the 24 songs resonated across American and English rock and folk long before their belated 1975 release, through studio interpretations by the Byrds, Fairport Convention, Manfred Mann, Peter, Paul & Mary, and numerous other acolytes, as well as through myriad unauthorised bootlegs. Good as the covers were, Dylan and the Band rolled their own with an extraordinary coherence that sounds only more authentic in these rough-hewn, intimate, always musical performances, which dovetail with Dylan's stark John Wesley Harding and the Band's stunning debut, Music from Big Pink as well as the presciently lo-fi The Band. At a time when most rock culture was entranced with its post-atomic origins, these songs sounded timeless, plunging into pre-industrial folk, turn of the (20th) century barrelhouse and blues, and crackling, vintage rock and roll excursions with offhand verve and a thrilling disregard for what was hip. Time has only reinforced their visionary power. --Sam Sutherland

From Amazon.com
The Basement Tapes can be heard as a manifesto for the current decade's underlying Americana agenda, or as the greatest album never intended for commercial release. Homegrown 1967 recordings taped in the Band's fabled Big Pink hermitage in Saugerties, New York, many of the 24 songs resonated across American and English rock and folk long before their belated 1975 release through studio interpretations by the Byrds, Fairport Convention, Manfred Mann, Peter, Paul & Mary, and numerous other acolytes, as well as through myriad unauthorized bootlegs. Good as the covers were, Dylan and the Band rolled their own with an extraordinary coherence that sounds only more authentic in these rough-hewn, intimate, always musical performances, which dovetail with Dylan's stark John Wesley Harding and the Band's stunning debut, Music from Big Pink as well as the presciently lo-fi The Band. At a time when most rock culture was entranced with its post-atomic origins, these songs sounded timeless, plunging into pre-industrial folk, turn of the (20th) century barrelhouse and blues, and crackling, vintage rock & roll excursions with offhand verve and a thrilling disregard for what was hip. Time has only reinforced their visionary power. --Sam Sutherland

 
Customer Reviews
6 Reviews
5 star: 66%  (4)
4 star:    (0)
3 star:    (0)
2 star: 33%  (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
 
 
 
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Most Helpful Customer Reviews

 
12 of 13 people found the following review helpful:
5.0 out of 5 stars A five star rip off!, 25 Jan 2004
By B. W. Thew (Australia) - See all my reviews
(REAL NAME)   
While the music on this 2CD set is wonderful, it is only a small and not necessarily the best part of the story. If you have heard the 5cd complete Basement set you will know that a great deal of better music has been left off this, I'm Not There 1956 being a case in point. The rip off part, this 2cd set would fit easily on a single disc at a much lower price.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Brilliant , 21 Feb 2007
By Geoffrey Millar (Brunswick Australia) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
All Dylan fans know the history of The Basement Tapes, for me one of the cornerstones of Dylan's collected works. Why, when they're not even a proper album? Because they show him relaxed and playing some different styles of music with friends, away from the pressures of touring and the recording studio.

This `official' set has many of the best Basement songs, with some strange exceptions such as Quinn the Eskimo and I Shall Be Released, which came out many years later in The Bootleg Series. However, you're still left with some great, not so great, unusual, funny , low fi, risqué and silly songs which never seem to lose their appeal.

The vocal and instrumental interplay between Bob and The Band (at the time, probably not known as such) is delightful. Clothes Line Saga epitomises the attraction of the set: Dylan's deadpan but humorous narrative counter-pointed with some lovely guitar lines from Robertson. Or take Tears of Rage, with lovely high harmonies from the late Richard Manuel.

The general critical view is that the songs by The Band didn't belong in this collection, as they weren't recorded in the Basement and were probably demos for Music From Big Pink. True, they have much better sound than the Basement tracks, butI don't care because there are some real gems here: Orange Juice Blues, Bessie Smith, Ain't No More Cane to name a few.

This album is quite unlike any other Dylan music, with the possible exception of Love and Theft. It's rootsy, rocky, laid back and bluesy, but sounds nothing like its predecessor, Blonde on Blonde, or its successor, John Wesley Harding.

PS If you can track down the 'unofficial' Basement songs, it's worth it. The complete sessions have the qualities of this set, but in greater measure - especially the goofs and mucking about. For example, Get Your Rocks Off is a long lost classic which deserves official release and She's Not There is brilliant.
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9 of 14 people found the following review helpful:
5.0 out of 5 stars Bob and friends having a good time!, 22 Jul 2000
By A Customer
Simply gorgeous! It sounds like they're just having a great time: very funny, sometimes beautiful and sometimes ridiculous. "Somewhere between the Old Testament and the Old West," someone said, and that about sums up the atmosphere. If you're into the sixties, you'll probably know some of these songs by other artists' covers, most notably 'Wheel's On Fire' (the theme tune to Ab Fab) and 'Quinn the Eskimo (The Mighty Quinn)' which was done by Manfed Mann.
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Most Recent Customer Reviews

2.0 out of 5 stars Actually not very good
I love Bob Dylan, and I know it's heresy, but really this is a poor CD set. Put it this way : if I woke up from a coma and had no memory of Bob Dylan, and heard this, I'd think... Read more
Published 11 months ago by XTR

2.0 out of 5 stars Drunken Demos
This is a "fun" album in a way: Dylan and the boys singing just whatever way the moment takes them, and in a lot of the "songs" they seem to just make the lyrics up as they go... Read more
Published on 17 Jul 2004

5.0 out of 5 stars Great for bringing you back down to earth.
This album is great for when your all music'd out. i.e. when youve had too much loud heavy metal or whatever blazing in your ears for hours and all you want to do is stop that... Read more
Published on 24 April 2001 by stuartdblack@aol.com

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