Amazon.co.uk Review
Bryter Layter, the second album from Nick Drake, came in 1970, and while not quite as melancholy as his debut,
Five Leaves Left, there are certain brooding qualities that continued to propagate the Nick Drake mystique. Horn, flute and string arrangements lift such songs as "At the Chime of a City Clock" and "Hazy Jane I" and "II" out of the realm of sad, folk-guitar music into something jazzier and lighter, while the beautiful piano and simple guitar of "One of These Things First" laments what could have been without sounding like a song of despair. But two tracks featuring
John Cale on various instruments (such as viola and harpsichord) have the dark fragility of "Pink Moon": the lovely "Fly" is a fragile apparition, and "Northern Sky" is a dreamy, brooding plea for long-lasting love. It's definitely not the same mood music as his starker work, but it's still a fine showcase for Nick Drake. --
Lorry Fleming
CD Description
After crafting a debut album full of beauteous, somber chamber-folk, Nick Drake pulled something of an about-face with the follow-up, BRYTER LAYTER. With a bright, sparkling production and orchestrations that occasionally border on Easy Listening, the framework is light and airy where FIVE LEAVES LEFT was dark and foreboding. The key, however, is that Drake's artfully expressed inner turmoil peeks through at every turn in the lyrics and in his understated-but-heartfelt vocaldelivery.
"At the Chime of a City Clock" finds Drake facing existential despair at every turn, despite an almost-lugubrious string arrangement. Perhaps the crucial moment of BRYTER LAYTER occurs on "Poor Boy", where female backing vocalists literally mock the singer's anguished laments. Clearly,for as much as Drake's heart and soul were bared in every note of his music, he was self-aware enough to know that his disillusioned-romantic view of the world was one that put him on the fringes of society. Of course, some 25 years later,his early-1970s work would find a much wider audience, eventhough the initial era of the sensitive singer/songwriter had long since passed.