~ Cipher
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~ Travis & Fripp
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~ Trio of Doom
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~ Michael Galasso
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| 1. Dusk |
| 2. Lodger |
| 3. Waiting |
| 4. Far Cry |
| 5. White Cloud Blue Sky |
| 6. Desert Song |
| 7. Canyon |
| 8. Bodhidharma |
| 9. No Ordinary Man |
Listen closer and Cipher's approach starts to sound much more original. There's a very interesting sense of construction about this music,in the way blocks of sound are built up, metamorphosed and sometimes taken away at odd-seeming moments, as if God were scoring a dub composition for clouds in the heavens.
The sonic layers of loops appearing, dissipating and receding, of foreground becoming background, seem endless and make for engrossing headphone listening.
The title piece comes closest to a regular pulse, as well as to traditional song form. It's a haunting, lonely dance in space, led by Travis's alto flute, that puts Cipher's narrative abilities in a fairly accessible light. 'Bodhidharma' on the other hand, features shimmering, high chords, a recurring guitar-like sound that subtly changes position in the soundscape on each pass, and light, percussive clicks evoking a flutter of birds' wings.
Sturt's fretless bass weaves around a deep percussive base on 'The Waiting', and 'A Far Cry' layers amorphous clouds of sound over an almost subliminal, Terry Riley-like pattern of soprano overdubs. Other parts recall Peter Gabriel's more otherwordly instrumental endeavours and Steve Roach's 'Quiet Music' period.
Guests on the disc include Porcupine Tree's Steven Wilson and Richard Barbieri on two tracks each, and an atmospheric vocal on'Desert Song' by Rabbi Gaddy Zerbib.
This is trance-out music of the highest order."
LARRY NAI Progression (Fall/Winter 2000 - issue 33)
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The ambient -based music of this set draws both on ECM's more ethereal releases and on Brian Eno's work, and while many listeners will dispute its jazz credentials, a spirit of improvisation and creativity infuses every piece. Leader Travis has strong jazz credentials, sounding here like a John Surman devotee, most notably on A Far Cry, while Barbieri will be familiar to many for his work with David Sylvian. Together, they create a music of evocative electronic soundwashes, subtle acoustic jazz explorations, and considerable emotional resonance. For those who distrust electronic and ambient music, you might be surprised by this set.
Simon Adams Jazz Journal (Feb 2000)
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