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Track Listings
| 1. Belladonna |
| 2. Kind Of Woman |
| 3. Stop Draggin' My Heart Around - Nicks, Stevie & Tom Petty & The Heartbreakers |
| 4. Think About It |
| 5. After The Glitter Fades |
| 6. Edge Of Seventeen |
| 7. How Still My Love |
| 8. Leather And Lace |
| 9. Highwayman |
| 10. Outside The Rain |
Product Description
Amazon.co.uk Review
While Stevie Nicks had the most recognisable voice in Fleetwood Mac, there was no guarantee she could craft the same kind of pop-rock magic without the help of the Mac's guiding musical force, Lindsey Buckingham. As such, Bella Donna found her emerging surprisingly strongly as a solo talent. Part of the credit goes to Tom Petty, who gave her an excellent song in "Stop Dragging My Heart Around" (and duets with her on it). But other high points are Nicks's own creations, including the urgently rocking "Edge of Seventeen" and the country-tinged ballad "Leather and Lace" (a duet with Don Henley). A few tunes here are forgettable, but overall Nicks started her solo career on a high note. --Peter Blackstock
Description
Following up strong on the weak sales and confused reviews of Fleetwood Mac's misunderstood experimental extravaganza, TUSK, was Stevie Nicks's first solo album, BELLA DONNA. The 1981 record featured two smash singles, "Edge of Seventeen" and the Tom Petty duet "Stop Draggin' My Heart Around", thatreaffirmed that the Arizona native was one of the biggest female stars of the era. The surprising thing, given Nicks's fairly limited songwriting role in Fleetwood Mac, is that the entire album is start-to-finish solid, particularly the spectral ballad "After the Glitter Fades" and the striking title track. Recorded with the help of Petty's Heartbreakers and members of Bruce Springsteen's E Street Band, and producedby Jimmy Iovine, BELLA DONNA has a more rock-oriented soundthan Fleetwood Mac's wispy California soft pop, and Nicks sings in a tougher, less self-conscious voice, adding unexpected heft to her diaphanous image.
While Stevie Nicks had the most recognisable voice in Fleetwood Mac, there was no guarantee she could craft the same kind of pop-rock magic without the help of the Mac's guiding musical force, Lindsey Buckingham. As such, Bella Donna found her emerging surprisingly strongly as a solo talent. Part of the credit goes to Tom Petty, who gave her an excellent song in "Stop Dragging My Heart Around" (and duets with her on it). But other high points are Nicks's own creations, including the urgently rocking "Edge of Seventeen" and the country-tinged ballad "Leather and Lace" (a duet with Don Henley). A few tunes here are forgettable, but overall Nicks started her solo career on a high note. --Peter Blackstock
Description
Following up strong on the weak sales and confused reviews of Fleetwood Mac's misunderstood experimental extravaganza, TUSK, was Stevie Nicks's first solo album, BELLA DONNA. The 1981 record featured two smash singles, "Edge of Seventeen" and the Tom Petty duet "Stop Draggin' My Heart Around", thatreaffirmed that the Arizona native was one of the biggest female stars of the era. The surprising thing, given Nicks's fairly limited songwriting role in Fleetwood Mac, is that the entire album is start-to-finish solid, particularly the spectral ballad "After the Glitter Fades" and the striking title track. Recorded with the help of Petty's Heartbreakers and members of Bruce Springsteen's E Street Band, and producedby Jimmy Iovine, BELLA DONNA has a more rock-oriented soundthan Fleetwood Mac's wispy California soft pop, and Nicks sings in a tougher, less self-conscious voice, adding unexpected heft to her diaphanous image.
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