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13 of 13 people found the following review helpful:
5.0 out of 5 stars
Into the abyss, 24 Aug 2004
By A Customer
If you're a fan of Part's work and haven't heard this album, buy it. You simply can't claim to have experienced what his music has to offer without having heard what is a truly unique listening experience. Immediate comparisons are the other ECM choral albums - Arbos, Passio and Te Deum. But this release takes Part's bleak, desolate vision to its ultimate extreme. The title track is without doubt the main feature of the album. The Hilliard Ensemble have never been better placed and the piece simply wouldn't be the same without them. Their usual medieval monk sound seems to take on a whole new character that at times hardly seems human. The atmosphere is icy, almost other-wordly. But the larger mixed choir and warm instrumental textures give the work a lighter edge. The performance of Festina Lente, a short and beautiful instrumental, was, like the other 2 pieces, conducted in the composer's presence and no better example of it can be found. Sarah Was Ninety Years Old is Part at his most minimalist, and arguably most terrifying. Over twenty minutes of an echoing, beating drum intersected with swaying desolate voices may challenge your view of his work as never before. But stick with it, take it as a whole and be open-minded and you'll see how perfectly it finishes what is an excellent album. This is contemporary classical choral music unlike any other. It's dark stuff, but if you know how to appreciate it, you'll see how it carries with it a positive side that makes suffering and pain seem transient and the spirit eternal. Part's been compared to John Tavener and Henryk Gorecki, and all three have been labelled holy minamalists. But his two contemporaries tread much safer ground and don't carry with them the same uniqueness that this album epitomises. Arvo Part is truly a one-off, the likes of which the music world may never see again. A word of warning to those unfamiliar with Arvo Part's music. This is not the most accessible collection of his works and there are many other releases that would serve as better introductions to this unique composer. Those on German label ECM New Series tend to be the best, from which I'd recommend either Arbos or Te Deum. The more recent Orient Occident album represents some of his more recent and lighter work.
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