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Product Description
Amazon.co.uk Review
In an attempt to ditch Collins's aural and visual image of doom and gloom, Dance Into The Light is his endeavour to move into lighter, more poppy territory, complete with colourful album cover. On a couple of the tracks, punchier musical styles are introduced, such as on the title track, with its African carnival-esque influences. There's even a pop cover of Bob Dylan's, "The Times They Are A-Changin", complete with synthesised bagpipes. However, expect no huge surprises as overall the album follows the musical approach of his previous solo albums, and more recent recordings with Genesis. If you enjoyed any of Collins's (or Genesis's) previous albums you'll want this one, but for anyone wanting an introduction to his music try his Hits collection or his solo debut Face Value. --John Galilee
CD Description
Collins, the avatar of '80s and '90s nice-guy pop, has endeared himself to millions with his earnest lyrics, lavish arrangements and guy-next-door persona. On DANCE INTO THE LIGHT, he goes worldwide, at least in a musical way. With its prominent African influence, DANCE INTO THE LIGHT represents Collins' first foray outside his American pop and R&B roots. Here, Collins' hook-laden pop takes a back seat to a more worldbeat-oriented sound. One gets the impression he's been holed up with GRACELAND and the complete works of former Genesis bandmate Peter Gabriel for the last year.
The rhythms, horn lines and offhand lyrics of "Wear My Hat" recall Paul Simon's "I Know What I Know", while his cover of Bob Dylan's "The Times They Are A-Changin'" sounds like a combination ofGabriel's "Biko" and "Solsbury Hill". Collins maintains an overall sound consistent with his previous albums, but the focus has shifted from melody to groove. The supple polyrhythms of the title cut find him working hard to disprove the title of his old Genesis hit "I Can't Dance".
In an attempt to ditch Collins's aural and visual image of doom and gloom, Dance Into The Light is his endeavour to move into lighter, more poppy territory, complete with colourful album cover. On a couple of the tracks, punchier musical styles are introduced, such as on the title track, with its African carnival-esque influences. There's even a pop cover of Bob Dylan's, "The Times They Are A-Changin", complete with synthesised bagpipes. However, expect no huge surprises as overall the album follows the musical approach of his previous solo albums, and more recent recordings with Genesis. If you enjoyed any of Collins's (or Genesis's) previous albums you'll want this one, but for anyone wanting an introduction to his music try his Hits collection or his solo debut Face Value. --John Galilee
CD Description
Collins, the avatar of '80s and '90s nice-guy pop, has endeared himself to millions with his earnest lyrics, lavish arrangements and guy-next-door persona. On DANCE INTO THE LIGHT, he goes worldwide, at least in a musical way. With its prominent African influence, DANCE INTO THE LIGHT represents Collins' first foray outside his American pop and R&B roots. Here, Collins' hook-laden pop takes a back seat to a more worldbeat-oriented sound. One gets the impression he's been holed up with GRACELAND and the complete works of former Genesis bandmate Peter Gabriel for the last year.
The rhythms, horn lines and offhand lyrics of "Wear My Hat" recall Paul Simon's "I Know What I Know", while his cover of Bob Dylan's "The Times They Are A-Changin'" sounds like a combination ofGabriel's "Biko" and "Solsbury Hill". Collins maintains an overall sound consistent with his previous albums, but the focus has shifted from melody to groove. The supple polyrhythms of the title cut find him working hard to disprove the title of his old Genesis hit "I Can't Dance".
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