Amazon.co.uk Review
There have been more baffling occurrences than the late-1990s ska revivial in the US--but not many. Yet somehow, this distinctly British movement--arising specifically out of the country's polarised racial dynamic--managed to cross over, finding an eager audience among suburban American teens, most of whom viewed it less as a social determinant, than as a stylistic outcrop of skate-punk and hardcore. Fronted by platinum-blonde Gwen Stefani, No Doubt defied the genre's traditionally masculine archetype, just as their sound--part Two-Tone, part
Blondie--hinted at broader commercial ambitions. The supremely annoying "Just A Girl" might have bought them to mainstream attention, showcasing Stefani's little-girl delivery, but it was their subsequent singles--"Don't Speak", a melodramatic power-ballad, and the bouncy, irrepressible "Sunday Morning"--which really proved their mettle, even as their new-found success alienated many long-time fans. --
Andrew McGuire
CD Description
No Doubt's members cite a strange variety of musical influences: Kiss, Prince and Madness, to name a few. And it's easyto imagine that their hometown itself, Anaheim, California (home to Disneyland), may have played a part in forming the band's schizophrenic, high-energy sound, which took TRAGIC KINGDOM, the band's second album, on a slow, steady ride up the pop charts. It finally hit No. 1 in December 1996, 14 months after it was released.
This is ska-punk-new wave-dance music, with instrumentation ranging from hardcore guitar to mellow, reggae-style horns. Singer Gwen Stefani's voice isby turns peppy, almost adolescent ("Spiderwebs") and emotionally wailing; she can sound a lot like Concrete Blonde's Johnette Napolitano ("Just A Girl"). When Stefani sings, "I'm just a girl, little ol' me/Don't let me out of your sight", she does so without a hint of girlishness; her voice is all attitude, with a warbling edge of melodrama. For the most part, these are happy songs, though No Doubt do get philosophical on "Different People": "Once in a while I sit back/And think about the planet/Most of the time I trip on it/To kick back and think of how massive it all is/And how many others are on it".