Album Review
As the follow up album to
Oxygene,
Equinoxe offers the same mesmerising affect, with rapid spinning sequencer washes and bubbling synthesizer portions all lilting back and forth to stardust scatterings of electronic pastiches. Using more than 13 different types of synthesizers, Jarre combines whirling soundscapes of multi-textured effects, passages, and sometimes suites to culminate interesting electronic atmospheres. Never repeating the same sounds twice, it is obvious that the science fiction hype of the late 70's played a large part in the making of this album. Computerised rhythms and keyboard-soaked transitions scurry by, replaced by even quicker, more illustrious ones soon after. There is always a pulsating beat or a fluttering tempo happening somewhere in each of the tracks, which are titled as a numbered sequence one to eight. Each track harbours its own energy and electronic fleetness, but none are identical in sound or pace. So much electronic colour is added to every track that it is impossible to concentrate on any particular segment, resulting in waves of synth drowning the ears at high tide.
--Mike DeGagne, All Music Guide
CD Description
Synthesizer master Jarre built an entire career around the renown he achieved through this 1978 recording. Performed entirely on synthesizers, EQUINOXE consists of a single piece divided up into eight movements. Clearly influenced by the more melodic side of mid-period Tangerine Dream and Vangelis,Jarre filled this album with gauzy, atmospheric synth textures marked by an inviting, impressionistic feel.
The cinematic vistas evoked by Jarre's dreamy analogue synthscapes are also undoubtedly influenced by his father, famed film composer Maurice Jarre. EQUINOXE takes a decided turn towards the mainstream when the bouncy, sequenced rhythms kick in, but the moodier sections are intoxicating, worthy of Klaus Schulze at his best.