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Perfect Partner
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Broxton Industries Ltd
www.Broxton.com
Award winning fabricators. Your No.1 choice for sheet metal.
Track Listings
| 1. Another Sad Love Song |
| 2. Breathe Again |
| 3. Seven Whole Days |
| 4. Love Affair |
| 5. Candlelight |
| 6. Spending My Time With You |
| 7. Love Shoulda Brought You Home |
| 8. I Belong To You |
| 9. How Many Ways |
| 10. You Mean The World To Me |
| 11. Best Friend |
| 12. Breathe Again (1) |
| 13. Give U My Heart - Braxton, Toni & Babyface |
Product Description
Amazon.co.uk Review
The perfect match-up of singer, song, and producer is a wondrous thing, and no more so in the producer-driven realm of black pop. Such a wonderful moment was the debut from Toni Braxton who, in Kenneth "Babyface" Edmonds, had a uber-lord who tapped into the dark, yet radio-friendly recess of her soul. These days, Toni's a sleek, Diane Warren-mouthing style puppet, but back, before she was re-made as a plastic pop star, Braxton gave nobility to heartbreak with classics like "Breathe Again". Her debut remains one of the best of the 1990s. --Amy Linden
Description
TONI BRAXTON is a smashing debut. One of the best vocaliststo break through the glut of R&B divas, the sultry Braxton gives the pretenders to the diva throne cause to re-evaluatetheir careers. It's going to be hard to compete against this stylist.
Concrete songwriting also helps the album riseabove the others. Songs like "Another Sad Love Song" and "Seven Whole Days" are perfect vehicles for her dynamic vocal gymnastics, while the subdued ballad "Best Friend" comes to a slow boil, after simmering for 4 and 1/2 minutes.
Braxton's unique voice combined with original, impossible-to-label songs like the sexy standout "Breathe Again" show what magic first-rate producers like L.A. Reid and Babyface can do with an extraordinary singer. The proof is in the sales and the awards generated from this album; Braxton won the coveted1994 Grammy Award for "Best New Artist".
Braxton caresses her lyrics with jazzy, Anita Baker-ish embellishments, slurred phrasing, breathy come-ons, and leaping octaves. She swings, sways, wails and wallops her way through this outstanding showcase.
The perfect match-up of singer, song, and producer is a wondrous thing, and no more so in the producer-driven realm of black pop. Such a wonderful moment was the debut from Toni Braxton who, in Kenneth "Babyface" Edmonds, had a uber-lord who tapped into the dark, yet radio-friendly recess of her soul. These days, Toni's a sleek, Diane Warren-mouthing style puppet, but back, before she was re-made as a plastic pop star, Braxton gave nobility to heartbreak with classics like "Breathe Again". Her debut remains one of the best of the 1990s. --Amy Linden
Description
TONI BRAXTON is a smashing debut. One of the best vocaliststo break through the glut of R&B divas, the sultry Braxton gives the pretenders to the diva throne cause to re-evaluatetheir careers. It's going to be hard to compete against this stylist.
Concrete songwriting also helps the album riseabove the others. Songs like "Another Sad Love Song" and "Seven Whole Days" are perfect vehicles for her dynamic vocal gymnastics, while the subdued ballad "Best Friend" comes to a slow boil, after simmering for 4 and 1/2 minutes.
Braxton's unique voice combined with original, impossible-to-label songs like the sexy standout "Breathe Again" show what magic first-rate producers like L.A. Reid and Babyface can do with an extraordinary singer. The proof is in the sales and the awards generated from this album; Braxton won the coveted1994 Grammy Award for "Best New Artist".
Braxton caresses her lyrics with jazzy, Anita Baker-ish embellishments, slurred phrasing, breathy come-ons, and leaping octaves. She swings, sways, wails and wallops her way through this outstanding showcase.