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Torn Curtain: The Unused Score
 
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Torn Curtain: The Unused Score [Soundtrack]

~ Paul Bateman, The Prague Philharmonic Orchestra, Bernard Herrmann
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Audio CD (27 Jul 1998)
  • Number of Discs: 1
  • Format: Soundtrack
  • Label: Varese Sarabande
  • ASIN: B000024AQH
  • Other Editions: Audio CD
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 299,053 in Music (See Bestsellers in Music)

    Popular in this category:

    #96 in  Music > Soundtracks > Composers > Herrmann, Bernard

1. Prelude
2. Ship
3. Radiogram
4. Hotel
5. Phone
6. Bookstore
7. Book
8. Valse Lente
9. Travel Desk
10. Blurring
11. Hotel Berlin
12. Sarah
13. Dawn
14. Gromek
15. Farmhouse
16. Killing
17. Body
18. Street
19. Toast
20. Photos
See all 31 tracks on this disc

Product Description

Amazon.co.uk Review

North By North West, the 1959 collaboration between Alfred Hitchcock and composer Bernard Hermann all but set the pattern that the James Bond movies would soon follow on a more lavish scale. At the height of Bond mania, and with his career in decline following the disappointing Marnie (scored by Herrmann, and ironically starring the then James Bond, Sean Connery), Hitchcock returned to the spy genre with Torn Curtain (1966). The director was under pressure to produce a hit, and to incorporate "contemporary" music. Herrmann wrote his score, and was on the soundstage recording it when Hitchcock fired him. Torn Curtain was finally released with music by John Addison, who had recently won an Oscar for Tom Jones, making this album the first opportunity to hear (virtually compete) Herrmann's rejected score.

For this Cold War drama, Herrmann crafted music of a Siberian chill, extraordinarily orchestrated for an ensemble including 12 flutes, 9 trombones, 16 French horns, cellos and timpani. Herrmann offers burning brass, brooding, icy textures, all exploding into music of a terrifying ferocity for the central murder. Implacable and uncompromising, with this score, Torn Curtain might have been another Hitchcock classic. Like the composer's Fahrenheit 451 written the same year, it is a powerful portrait of humanity struggling against cold conformity, and an essential addition to any Herrmann collection. --Gary S. Dalkin


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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Hitchcock made a big mistake, 1 Feb 2005
By A Customer
Alfred Hitchcock is my favourite film director, bar none. His films of the 1950's and early 60's provide great entertainment while being intellectually satisfying. It has to be said they derive a great deal of their atmosphere from the soundtrack.

Bernard Herrmann gave us the romantic sweep of 'Vertigo', the ragged strings of 'Psycho' and the high-jinks of 'Trouble with Harry'. Unfortunately in the 1960's studios began to see soundtracks as a money spinner. They were more interested in seeing 'Lara's Theme' in the charts than music that complemented the action and character development taking place on screen.

For whatever reason Hitchcock gave in to this way of thinking with 'Torn Curtain' and fired his long-time collaborator (who had insisted on using shrieking violins in the 'Psycho' shower scene) more or less as he was at work in the recording studio.

Thanks to this album you can hear what was rejected. I have never seen 'Torn Curtain' but this music ranks among Herrmann's best: sinister, distinctive, creating an atmosphere of dread and tension. No wonder he never spoke to Hitchcock again. As in previous releases Joel McNeely and the National Symphony Orchestra do full justice to the material.

My only complaint: Herrmann never finished writing a full score and the album peters out mid-way through the film. But then, that wasn't Herrmann's fault!

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