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| 1. Prelude | |||
| 2. Ship | |||
| 3. Radiogram | |||
| 4. Hotel | |||
| 5. Phone | |||
| 6. Bookstore | |||
| 7. Book | |||
| 8. Valse Lente | |||
| 9. Travel Desk | |||
| 10. Blurring | |||
| 11. Hotel Berlin | |||
| 12. Sarah | |||
| 13. Dawn | |||
| 14. Gromek | |||
| 15. Farmhouse | |||
| 16. Killing | |||
| 17. Body | |||
| 18. Street | |||
| 19. Toast | |||
| 20. Photos | |||
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For this Cold War drama, Herrmann crafted music of a Siberian chill, extraordinarily orchestrated for an ensemble including 12 flutes, 9 trombones, 16 French horns, cellos and timpani. Herrmann offers burning brass, brooding, icy textures, all exploding into music of a terrifying ferocity for the central murder. Implacable and uncompromising, with this score, Torn Curtain might have been another Hitchcock classic. Like the composer's Fahrenheit 451 written the same year, it is a powerful portrait of humanity struggling against cold conformity, and an essential addition to any Herrmann collection. --Gary S. Dalkin
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