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Track Listings
| 1. She Belongs To Me |
| 2. Fourth Time Around |
| 3. Visions Of Johanna |
| 4. It's All Over Now Baby Blue |
| 5. Desolation Row |
| 6. Just Like A Woman |
| 7. Mr Tambourine Man |
| 8. Tell Me Momma |
| 9. I Don't Believe You (She Acts Like We Never Met) |
| 10. Baby Let Me Follow You Down |
| 11. Just Like Tom Thumb's Blues |
| 12. Leopard Skin Pill Box Hat |
| 13. One Too Many Mornings |
| 14. Ballad Of A Thin Man |
| 15. Like A Rolling Stone |
Product Description
Amazon.co.uk Review
The greatest live recording in rock & roll history was--officially, at least--buried in the vaults of Columbia Records for more than a quarter of a century. But no more: Live 1966: The "Royal Albert Hall" Concert has surfaced on two discs mixed and mastered from three-track source tapes that put the myriad pirated recordings to shame. More important, Live 1966 documents a momentous artistic showdown between a wilful, inflamed and utterly fearless performer and his headstrong core following. The Dylan of the mid 1960s had made the leap from socially conscious voice of his generation to surrealistic electric poet, a transformation that was met with contempt by a vocal element of his audience. The most telling moment of the recording centres on the stand-off: A folk zealot in the audience shouts, "Judas!" earning cheers from the contentious crowd. Dylan responds by snarling, "I don't believe you. You're a liar," then turns to his group, the Hawks (soon to become the Band), and, as the intro to "Like a Rolling Stone" takes shape, commands, "Play loud!" A crucial moment and, time has demonstrated, the correct call. --Steven Stolder
Description
An official release for arguably the most famous bootleg inthe history of popular music. This was Dylan's first 'electric' tour and was met with a bewildering level of hostility,so bad that Levon Helm from The Band (who were backing Dylan) left the tour as a result of the constant abuse. This gigwas infamous as it includes a member of the audience calling Dylan Judas before he is drowned out by a furious version of 'Like A Rolling Stone', notoriously mistitled as it's really from Manchester's Free Trade Hall.
The greatest live recording in rock & roll history was--officially, at least--buried in the vaults of Columbia Records for more than a quarter of a century. But no more: Live 1966: The "Royal Albert Hall" Concert has surfaced on two discs mixed and mastered from three-track source tapes that put the myriad pirated recordings to shame. More important, Live 1966 documents a momentous artistic showdown between a wilful, inflamed and utterly fearless performer and his headstrong core following. The Dylan of the mid 1960s had made the leap from socially conscious voice of his generation to surrealistic electric poet, a transformation that was met with contempt by a vocal element of his audience. The most telling moment of the recording centres on the stand-off: A folk zealot in the audience shouts, "Judas!" earning cheers from the contentious crowd. Dylan responds by snarling, "I don't believe you. You're a liar," then turns to his group, the Hawks (soon to become the Band), and, as the intro to "Like a Rolling Stone" takes shape, commands, "Play loud!" A crucial moment and, time has demonstrated, the correct call. --Steven Stolder
Description
An official release for arguably the most famous bootleg inthe history of popular music. This was Dylan's first 'electric' tour and was met with a bewildering level of hostility,so bad that Levon Helm from The Band (who were backing Dylan) left the tour as a result of the constant abuse. This gigwas infamous as it includes a member of the audience calling Dylan Judas before he is drowned out by a furious version of 'Like A Rolling Stone', notoriously mistitled as it's really from Manchester's Free Trade Hall.