From Amazon.com
"My mouth is full of demons / I swear to God," Kristin Hersh sings with escalating fury in the middle of "Ellen West." The image is apt.
The Real Ramona marked a high point for the Throwing Muses, whose debut was the first-ever American recording issued on the hip British label 4AD. The quartet excels in two largely different veins, the first a glistening, poppy one with Hersh's unnervingly crisp voice edging the guitars, and the second a more frantic, revved-up version of the first, where the drums pound harder and the vocals veer into referential terrain that's almost sublimely opaque. The key to the Throwing Muses at any stage in their career is Hersh's emotional frankness and unflinching conveyance of her schizophrenia-tinged lyrics. She makes the band magnetically frenzied, even when they're being lovely. And with
Ramona, Hersh and the Muses perfected their mix. This is their last recording with band cofounder Tanya Donelly, who continued on with the Breeders and Belly.
--Andrew Bartlett
CD Description
Throwing Muses are among the finest and most overlooked indie-rock bands of the '80s and '90s. Spearheaded by the dark,original vision of Kristen Hersh (and supported by Tanya Donelly, Muses second-guitarist and Hersh's half-sister), the band's aggressive alt-pop burst onto the scene in the early '80s. The Muses favour a lucid guitar sound, oblique, poeticlyrics, and spiraling song structures that seem to unfold organically. By THE REAL RAMONA, the band's third full-lengthrelease, they had married their unique aesthetic to a more streamlined, rock-oriented sound.
Though more accessible than earlier work, RAMONA compromises none of the group's idiosyncratic appeal. In fact, this record's shimmering pop aura makes it one of the band's most outstanding offerings. From the blast-off power hooks of "Golden Thing" and Donelly's"Not Too Soon" through the gorgeous, rarefied guitar heavenof "Two Step", this collection is pure psychedelic pop heightened by outstanding songcraft. As usual, it is Hersh's more intense, mercurial, and slightly warped songs that are stand out. Here, top marks go to "Ellen West" and "Hook In Her Head. A tapestry of floating guitars, hard edges, melody, and meaning, THE REAL RAMONA is a perfect pop album.