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13 of 13 people found the following review helpful:
5.0 out of 5 stars
suddenly it's 1973 again, 8 Dec 2001
Dream Kid is a great example of what the Sutherland Brothers could do. It is a portrait of a band in transition; the folk influences (check out earlier Suth Bros efforts, like Lifeboat or Sutherland Brothers Band) shine through on tracks like Seagull/Lonely Love; the full influence of new arrivals from Quiver, especially Tim Renwick on guitar, shines through on tracks like Saved by the Angel/Rocky Road. Why not play the game of who could write the best songs, Gavin or Iain Sutherland. Iain is quite a traditional rock writer whereas Gavin is more folky. Iain would go on to write Arms of Mary, so no doubt he is the richer of the two now. By the way on my version of this there are a couple of extra tracks not listed on the sleeve, so don't accuse Sony of short-changing you. The tracks are Silver Sister and Don't Mess Up, which were worthy b-sides of SBQ singles. The title track was almost a hit. "Almost" is a word which sums up the not-quite-a-success nature of a lot of the Sutherlands' stuff, but the fact the songs here are virtually unknown adds to their allure. Those of you looking for influences of the 70s on later decades may wish to know that Tim Renwick (lead guitar) went on to play on some Pink Floyd records, Bruce Thomas (bass) went on to be an (Elvis Costello and the) Attraction, and Peter Woods worked on with Cyndi Lauper before his untimely death. As a final thought, play Bohemian Rhapsody and Rollin' Away/Rocky Road/Saved by the Angel one after the other, and work out for yourself who invented the extended, multi-layered rock song. And what it the better opening line: "Is this a real life, or is it fantasy" or "Wasn't I the one who made your life come true? Wasn't I the one who tried for you". Spread SBQ on your roll and sausages! Island Records in the 70s did not produce anything more intriguing than this bunch of guys.
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