Amazon.co.uk Review
Feeder's full-length debut album,
Polythene, didn't set the charts alight when it was released in 1997, but it did make quite an impression on the always popular "angst-ridden-teen" market. A successful fusion of metal and indie music, what really sets
Polythene apart is Feeder's underlying melodicism. Like
Therapy? and the
Smashing Pumpkins before them, this young trio have a good idea about what makes great pop music. Tracks like "Polythene Girl", "My Perfect Day" and "Tangerine" have enough heavy guitars to please the teenage fanbase that is their bread and butter, yet are still bright and catchy enough to please pop fans. Meanwhile, it's testament to the inherent unjustness of the universe that the album's highlight, "High", didn't take up near-permanent residency at the top of the UK charts when it was released as a single.
--Robert Burrow
CD Description
Feeder scored a hit single in the mother country with the acoustic flavoured "High" and are looking to carry that success over into the colonies with their debut album POLYTHENE. Their modus operandi is mixing classic power pop melodies with Smashing Pumpkins bombast (and a bit of Billy Corgan crooning).
Singer/guitarist Grant Nicholas' speciality is thebig chorus. Taking the cue from Cheap Trick, "Polythene Girl" and "Cement" have hooks big enough to catch Moby Dick, all surrounded by enough crunchy guitars to make Jimmy Page proud. And they aren't afraid to put the pedal to the metal on"Stereo World" and "Tangerine", which contain some of the heavier riffs of the '90s. Finally, a band that can fulfil the promise of the second British Invasion.