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Product details
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Track Listings
| 1. I Got You (I Feel Good) |
| 2. Smack Dab In The Middle |
| 3. Bootleg |
| 4. Train Train |
| 5. Ain't That Peculiar |
| 6. People Gonna Talk |
| 7. It Should've Been Me |
| 8. Hallelujah I Love Her So |
| 9. Self Discipline |
| 10. Rock Me Baby |
| 11. Stormy Monday Blues |
| 12. Oh Mom (Teach Me How To Uncle Willie) |
| 13. When I Meet My Baby |
| 14. Blues March |
| 15. You Don't Know Like I Know |
| 16. Big Time Operator |
| 17. Hide Nor Hair |
| 18. Haunted House |
| 19. La La La La La/The In Crowd |
Product Description
CD Description
George Bruno "Zoot" Money, a familiar figure on swinging London's mid-'60s club circuit, had brought his Big Roll Band up from their native Bournemouth to London after a short stint moonlighting with Alexis Korner's Blues Incorporated. Based at the Flamingo, a Soho club renowned for its wild all-nighters, the band played a cooking mixture of soul, jazz and R&B, peppered with the flamboyant antics of front man Zoot. Nurturing a passion for Ray Charles, the Hammond organ, and the odd alcoholic beverage, Money was a popular live attraction with the UK's "in-crowd".
These live recordings takenfrom 1966 perfectly illustrate what the Big Roll Band was all about. James Brown's "I Got You (I Feel Good)" and Lee Dorsey's "People Gonna Talk" were typical crowd-pleasers. T-Bone Walker's "Stormy Monday Blues" and Marvin Gaye's "Ain't That Peculiar", sung here by American ex-pat soulster Herbie Goins and band member Paul Williams respectively, would allow Zoot to rest his vocal chords. The boss himself would demonstrate his instrumental prowess on Booker T's "Boot-Leg". This was the essence of the UK club scene in 1966.
These live recordings takenfrom 1966 perfectly illustrate what the Big Roll Band was all about. James Brown's "I Got You (I Feel Good)" and Lee Dorsey's "People Gonna Talk" were typical crowd-pleasers. T-Bone Walker's "Stormy Monday Blues" and Marvin Gaye's "Ain't That Peculiar", sung here by American ex-pat soulster Herbie Goins and band member Paul Williams respectively, would allow Zoot to rest his vocal chords. The boss himself would demonstrate his instrumental prowess on Booker T's "Boot-Leg". This was the essence of the UK club scene in 1966.
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57% buy the item featured on this page: Were You There - Live 1966 |
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