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A Salty Dog...Plus: Remastered
 
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A Salty Dog...Plus: Remastered [Extra tracks]
~ Procol Harum (Artist)
5.0 out of 5 stars 1 customer review (1 customer review)

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Listen to Samples
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  RealOne Player
1. Salty Dog Listen
2. Milk Of Human Kindness Listen
3. Too Much Between Us Listen
4. Devil Came From Kansas Listen
5. Boredom Listen
6. Juicy John Pink
7. Wreck Of The Hesperus
8. All This And More
9. Crucifiction Lane
10. Pilgrims Progress
11. Long Gone Geek
12. All This And More
13. Milk Of Human Kindness
14. Pilgrim's Progress
15. McGreggor
16. Still There'll Be More

Product Description
From Amazon.com
Procol Harum could be credited (if not blamed) for popularizing classical rock with its J.S. Bach-inspired hit, 1967's "A White Shade of Pale," but the band only rarely drifted into the precious territory explored by groups like the Moody Blues and Emerson, Lake & Palmer. A Salty Dog, Procol Harum's third and best album, was built around the twin keyboards of Gary Brooker and Matthew Fisher (who also produced this album), but also showcased the bluesy, fuzz-toned guitar of Robin Trower. The title tune is a fully orchestrated sea ballad memorable for Brooker's soulfully majestic vocal. Folk-rock tunes like "The Milk of Human Kindness" and "Too Much Between Us" were more stripped-down but no less effective. And on "The Devil Came from Kansas," Trower uncorked a burly guitar solo that was downright heavenly. --John Milward

Description
Procol Harum, who reached an astounding peak with their 1967 debut, achieved further heights with each successive release up to A SALTY DOG, their third. This album mixes heartfelt singing with orchestral grandeur and an R&B-based rhythm section (B.J. Wilson is one of the great unsung drummers of the '60s and '70s). The band easily and honestly moves from the symphonic mini-epic of the title track to the bluesy "TheMilk of Human Kindness". The dual keyboards offer a regal sheen that is nicely punctuated by Robin Trower's guitar. Throughout, Gary Brooker's vocals are richly barbed and the perfect vehicle to deliver lyricist Keith Reid's literary verses. With the departure of organist Matthew Fisher, this was the last great recording by the original line-up of Procol Harum. This album is essential.

 
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11 of 14 people found the following review helpful:
5.0 out of 5 stars All this and more..., 2 Dec 2001
By TW Tim (Tunbridge Wells) - See all my reviews
This, according to Pete Frames Bible (RFTs), was Procol's third album, released originally in May 1969. A stunning work showcasing Brooker/Reid's powerful songwriting ability which fortunately didn't make it as a product on it's own. This album followed the classic 'Whiter Shade of Pale' single and was sadly overlooked at the time. I originally heard it on vinyl in 1971 and it doesn't date even today. Listen to the combination of Brooker's vocal and piano punctuated by Robin Trower's (yes-the same) guitar together with Barrie Wilson's very fine drumming. Possibly one of the first themed or concept albums from which others drew inspiration. All tracks are of the same high standard, both lyrically and musically, except 'Juicy John Pink' and 'Crucifiction Lane' both blues tracks and, well basically, fillers. The only drawback is the quality of the recording which cries out for today's digital recording technology. However, out of the mist of sonic fog comes the bright light of their star shining through - some of the best songwriting you are likely to hear. A good starting point for newcomers. Powerful stuff.
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This didn't follow "A Whiter Shade Of Pale"... 0 July 2007
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