Amazon.co.uk Review
Though they hail from Springfield, Massachusetts and spent their early career touring all over New England, Staind's sound is very different from the skewed indie rock of East Coast forebears like the Pixies and the Lemonheads. Indeed, they have far more in common with the melancholy metal of Washington State's
Pearl Jam and
Alice In Chains. Staind first rose to prominence thanks to a helping hand given by Fred Durst of
Limp Bizkit. Despite at first hating them for the gross-out artwork of their
Tormented debut, Durst was mightily impressed by their rampaging live show. He invited them down to work with him in his hometown Jacksonville, then signed them to his own Flip label. The result is
Dysfunction (actually recorded and mixed in Seattle with ex-
Soundgarden producer Terry Date), a rumbling, thundering outburst of grunge, most notable for the dramatic, Staley-esque vocals and torrid, tormented and painfully confessional lyrics of Aaron Lewis--an appropriately fraught and thought-provoking soundtrack for these unstable times. Seattle is alive and well, and living in New England.
--Dominic Wills
CD Description
Staind's big break came in 1997 when the band opened up forLimp Bizkit in Connecticut. 20 minutes before Staind was togo on, Limp's singer Fred Durst tried to have them kicked off the bill. Fred thought they were Satan worshippers due tothe nature of their cover art. After Staind's set, Fred said they were the best live band he'd seen in two years. The rest is history.
Produced by Terry Date (Deftones, Pantera) and the band, DYSFUNCTION is a dark, brooding, groove-driven record. There are no pretty ballads or acoustic detours--the record slams from start to finish. Durst helped the banddevelop their sound and encouraged lead throat Aaron Lewis to sing more and shout less. The result is some fine, powerful vocalising. Fans of heavy music will relish Staind's cathartic angst and flock to the sonic attack that is DYFUNCTION.