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Track Listings
| 1. Magnificat in D, WQ215: Magnificat - The Washington Bach Consort/J. Reilly Lewis | |||
| 2. Magnificat in D, WQ215: Quia Respexit - Mary Ellen Callahan | |||
| 3. Magnificat in D, WQ215: Quia Fecit - Nils Brown | |||
| 4. Magnificat in D, WQ215: Et Misericordia - The Washington Bach Consort/J. Reilly Lewis | |||
| 5. Magnificat in D, WQ215: Fecit potentiam - James Weaver | |||
| 6. Magnificat in D, WQ215: Deposuit - Patricia Green/Nils Brown | |||
| 7. Magnificat in D, WQ215: Suscepit Israel - Patricia Green | |||
| 8. Magnificat in D, WQ215: Gloria Patri - The Washington Bach Consort/J. Reilly Lewis | |||
| 9. Magnificat in D, WQ215: Sicut Erat - The Washington Bach Consort/J. Reilly Lewis | |||
| 10. Magnificat in D, BWV243: Magnificat - The Washington Bach Consort/J. Reilly Lewis | |||
| 11. Magnificat in D, BWV243: Et Exsultativ - Patricia Green | |||
| 12. Magnificat in D, BWV243: Quia Respexit - Mary Ellen Callahan | |||
| 13. Magnificat in D, BWV243: Omnes - The Washington Bach Consort/J. Reilly Lewis | |||
| 14. Magnificat in D, BWV243: Quia Fecit - James Weaver | |||
| 15. Magnificat in D, BWV243: Et Misericordia - Patricia Green/Nils Brown | |||
| 16. Magnificat in D, BWV243: Fecit Potentiam - The Washington Bach Consort/J. Reilly Lewis | |||
| 17. Magnificat in D, BWV243: Deposuit Potentes - Nils Brown | |||
| 18. Magnificat in D, BWV243: Esurientes - Patricia Green | |||
| 19. Magnificat in D, BWV243: Suscepit Israel - The Washington Bach Consort/J. Reilly Lewis | |||
| 20. Magnificat in D, BWV243: Sicut Locutus - The Washington Bach Consort/J. Reilly Lewis | |||
See all 21 tracks on this disc
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Product Description
From Amazon.com
Not only are these fine performances, but the disc itself is a stroke of good programming, pairing the familiar--Johann Sebastian Bach's majestic, brilliantly conceived setting of the Magnificat--with the unfamiliar--son Carl Philipp Emmanuel Bach's intriguingly lean, preclassical setting of the same text, a masterpiece of the "galant" style just as his father's is a masterpiece of the Baroque. Leading a well-trained chorus of ideal size (approximately 25) and a crack period-instrument band, conductor J. Reilly Lewis imparts energy and dramatic point to the readings of both works. Textures are full yet transparent, with an excellent balance between voices and orchestra. The work of the four soloists is elegant and expressive, and the chorus sings radiantly in both pieces. The recorded sound is excellent. --Ted Libbey
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