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Track Listings
| 1. Sei Lob und Preis Mit Ehren, BWV 167 |
| 2. Erbarme Dich (Matthäus-Passion), BWV 244 |
| 3. Jesus, Bleibet Meine Freude (Jesus, Joy of Man's Desiring), BWV 147 |
| 4. Ertöt' Uns Durch Dein' Güte, BWV 22 |
| 5. Ich Ruf' Zu Dir, Herr Jesu Christ, BWV 639 |
| 6. Kommst du Nun, Jesu, Vom Himmel Herunter, BWV 650 |
| 7. Laß Mein Herz Die Münze Sein, BWV 163 |
| 8. Dein Blut, Der Edle Saft, BWV 136 |
| 9. Air (Suite III) [BWV 1068] |
| 10. Concerto in G Major for Cello and String Orchestra, G. 480/ I. Allegro |
| 11. Concerto in G Major for Cello and String Orchestra, G. 480/ II. Adagio |
| 12. Concerto in G Major for Cello and String Orchestra, G. 480/ III. ... |
| 13. Concerto in D Major for Cello and Orchestra, G. 478/ I. Allegro ... |
| 14. Concerto in D Major for Cello and Orchestra, G. 478/ II. Larghetto |
| 15. Concerto in D Major for Cello and Orchestra, G. 478/ III. Rondo |
| 16. Concerto in D Major for Cello and Orchestra, G. 478/ IV. Rondo ... |
Product Description
Amazon.co.uk Review
It was only a matter of time before the remarkable Yo-Yo Ma went along with the tide and dipped his talent into the so-called authentic instrument movement. On this recital, abetted by Ton Koopman--one of the most respected names in early-music practice--Ma plays Bach and Boccherini. The Bach are all transcriptions and very fine ones, indeed--the alto aria "Erbarme Dich" from the St. Matthew Passion; the equally famous "Air on a G String" from the Third Orchestral Suite; "Jesu, Joy of Man's Desiring"; and six others, most less well-known. These are followed by two fascinating cello concertos by Boccherini, made all the more interesting by Koopman's cadenzas, which are pretty outrageous. Throughout, Ma's stunning virtuosity is matched by his taste and musicality. The Amsterdam Baroque Orchestra plays handsomely and the recorded sound is warm and full. "Authentic" or not, this is mighty fine playing and wait till you hear those cadenzas. --Robert Levine
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