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With Culturemix
 
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With Culturemix
~ Bill Nelson (Artist)
3.0 out of 5 stars  (1 customer review)
Price: £12.99 & eligible for Free UK delivery on orders over £15 with Super Saver Delivery. See details and conditions
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19 used & new available from £3.99

Product details
  • Audio CD (20 Nov 1995)
  • Number of Discs: 1
  • Label: Voiceprint
  • ASIN: B00000I0JC
  • Average Customer Review: 3.0 out of 5 stars  (1 customer review)
  • Amazon.co.uk Sales Rank: 199,158 in Music (See Bestsellers in Music)

Track Listings

1. Luna Park
2. Radio Head
3. Housewives on Drugs
4. Dancematic
5. Four Postcards Home
6. Zebra
7. Exile
8. Tangram
9. Cave Paintings (After Joseph Campbell)

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Customer Reviews

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Average Customer Review
 
 
 
 
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5 of 5 people found the following review helpful:
3.0 out of 5 stars Japanese funky instrumental album with Bill Nelson, 17 Jun 2001
Arranged, produced and mostly performed by Yumiko Morioka in 1993-5, the official name for this album is 'Culturemix with Bill Nelson'. It's therefore not really a BN album at all, but features him heavily on multitextured guitar work. Culturemix is a collection of pleasant, sometimes jazzy and inoffensively funky instrumentals plus a couple of vocal tracks. If you liked Channel Light Vessel, you'll probably enjoy this too. If you didn't, Culturemix will sound like a cross between restaurant music and a Clannad soundtrack. Make no mistake, there's a lot of beauty in here, but at least Mike Oldfield always had a rough gutsy edge; by contrast, Culturemix is too 'nice' by far. Tracks such as Housewives on Drugs, Zebra and Exile are especially cute and syrupy. Highlights include Luna Park which starts off like the sitar-filled pop hit from the early 1980s Ever So Lonely (which Bill Nelson also played on) but keels over and commits harikari just when you think a chorus is imminent. Dancematic and Tangram are classy after-dinner jazz-funk numbers. The most BN-sounding track is Radio Head, a dreamy instrumental intercepted by a snapping bassline and an army of acoustic guitars, overdriven electric guitars and a simply fabulous example of Bill Nelson e-bow trancendentalism - one of his best ever.
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