Amazon.co.uk Review
One of the breakout stars of 1998 hip-hop, DMX wasted little time in following up his US No. 1 album
It's Dark and Hell Is Hot with
Flesh of My Flesh, Blood of My Blood. If the quick turnaround seems surprising, maybe it's because DMX's second LP doesn't fall far from the original tree. Key to his formula, DMX has mastered the art of thug-life anthems, following in the dubious footsteps of 2Pac and Noreaga. While his gruff voice and simple delivery help make his songs infectious, they're rarely creative, especially with anaemic beats, redundant subject matter, and his trademark barks. Basically,
Flesh of My Flesh is a perfect buy for those who couldn't wait a whole year for another DMX LP, but it won't convert many new listeners.
--Oliver Wang
CD Description
Get at me dog! DMX returns with his sophomore album, FLESH OF MY FLESH BLOOD OF MY BLOOD, a sixteen cut collection of tracks that scream with energy and vocal prowess. In a move that bucks the trend of collaboration-heavy albums, FLESH OF MY FLESH BLOOD OF MY BLOOD, has only a few strategically placed collaborations. The Lox and Jay-Z drop science on "Blackout", while Mary J. Blige adds her smooth R&B touch to "Coming From". Perhaps the most improbable pairing is on "The Omen", which features Shock-turned-Glam Rocker Marilyn Manson. The track uses a sample from the famous horror movie of the same name from the late 1970's. Various producers including Swizz Beatz ("It's All Good"), PK and Dame Grease ("Dogs ForLife") handle the beats, which range from street hard to jazzy smooth. Overall, DMX never fails to deliver the goods.