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7 of 9 people found the following review helpful:
5.0 out of 5 stars
Swweeetttt!, 1 Jul 2003
Chef Aid: The South Park Album, clocking in at an amazing one hour and seventeen minutes, is fantastic which ever way you look at it. South Park fanatics like me can’t get enough of the tracks featuring South Park characters, but there is plenty of great stuff here that even the most anti-South Park individual out there can enjoy. Several big-name stars add their talent to the album; some of yesterday’s coolest performers turn up to entertain us one more time; the variety of song styles is incredibly diverse; and there are some of the oddest yet most effective collaborations you can ever imagine. Rap meets hard rock in a song guaranteed to rock the house, as Ozzy Osbourne, DMX, and Old Dirty Bastard team up on the supercharged Nowhere to Run. While I’m on the subject of collaborative efforts, take a listen at Will They Die 4 You featuring Mase, Puffy, Lil’ Kim, and System of a Down; it’s a cool and funky nougat wrapped inside a hard-edged shell of rock and roll. Of course, the South Park characters steal the show time and time again. Any Chef Aid album has to have cuts from the man in the big white hat himself, and Chef gives us three of his classic performances, songs which we had only been able to hear snippets of on the show: fan favorite Chocolate Salty Balls (P.S. I Love You), Simultaneous, and No Substitute. Then Chef teams up with Meatloaf to record a quite memorable version of his classic love song Tonight is Right For Love, and he makes uncredited appearances on a number of other songs, including the rather hilarious entry from the larynx-challenged Ned Gerblansky. Two other Chef tracks are included here, but they appear in the form of covers by other artists. Perry Farrell and D.V.D.A. team up for Hot Lava, while Love Gravy is performed by the dynamic duo of funk-meister Rick James and Ike Turner. Of course, there’s no way you are going to keep my main man Eric Cartman off an album such as this. As all fans of the show know, his favorite song, one he has to sing through in its entirety whenever he hears just a snippet of it, is Come Sail Away; the full version a la Cartman is a great treat, especially toward the end when Chef tries to jump in and hijack the song. Cartman’s not through yet, though, as he, along with Stan, Kyle, and Kenny, teams up with Wyclef Jean on the hugely entertaining song Bubblegoose. Most likely you are expecting to hear Cartman’s famous Kyle’s Mom’s a big fat B— on here; don’t despair, as it does indeed eventually arrive to close the album out on a perfect note. Master P’s smooth delivery of Kenny’s Dead is great, the contributions of Rancid, Ween, Joe Strummer, and 70s icon Devo are unusual yet a lot of fun, and even Elton John manages to rock out pretty impressively. The undeniably catchy song Horny is presented in a very unusual way, with Matt and Trey explaining throughout the course of it just how much they hate the song and do not want it on the album. There is really only one bad song on the album. Mephisto and Kevin, Primus’ non-theme song contribution, is not even what I would call a song and succeeds only in becoming a sad mockery of itself. As a South Park fan, I love this album. Perhaps the best thing about it, though, is its inclusion of artists I was not previously familiar with; I may never have heard of the likes of Wyclef Jean, for example, had I not purchased this album, and that is the reason I believe that South Park opponents can enjoy this album almost as much as us hard-core South Park fans.
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