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Quartet
 
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Quartet [Extra tracks]
~ Ultravox (Artist)
4.0 out of 5 stars 3 customer reviews (3 customer reviews)
Price: £5.97 & eligible for Free UK delivery on orders over £15 with Super Saver Delivery. See details and conditions
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40 used & new available from £3.98

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Quartet Rage in Eden
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Product details
  • Audio CD (7 Sep 1998)
  • Number of Discs: 1
  • Format: Extra tracks
  • Label: Chrysalis
  • ASIN: B00000DCZJ
  • Average Customer Review: 4.0 out of 5 stars (3 customer reviews)
  • Amazon.co.uk Sales Rank: 30,187 in Music (See Bestsellers in Music)
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Listen to Samples
To hear a song sample, click on "Listen" by that sample.
  RealOne Player
1. Reap The Wild Wind Listen
2. Serenade Listen
3. Mine For Life Listen
4. Hymn Listen
5. Visions In Blue Listen
6. When The Scream Subsides
7. We Came To Dance
8. Cut And Run
9. Song (We Go)
10. Hosanna
11. Monument
12. Break your back
13. Overlook

Product Description
Description
In the early-'80s, the new wave movement was disintegratinginto a million fragments, as those who embraced guitars andthose who embraced synthesizers drew lines in the sand and began to vehemently territorialise. An adjunct arm of the synth-pop scene (see Gary Numan, OMD, The Human League) grew from out of the new wave, and, armed to the teeth with the Germanic sequencers of the '70s and state-of-the-art synthesizers, these groups became part of what was known as the New Romantics. Some grew large (Duran Duran, ABC), others recededinto the cut-out bins--Ultravox grabbed the brass ring for a short while, courtesy of their brilliant VIENNA album. QUARTET followed two releases later, produced by former Beatlesdirector George Martin, featuring a fairly stripped-down, but still illustrious Ultravox.
The opening "Reap the WildWind", with its gigantic drumbeats, soaring strings, and windswept synths remains a high point for the band, and remains the album's finest moment. Ultravox were in something of adisarray at the time of QUARTET's release, but their glorious sound--the sort of stuff the Romans might have danced to had they installed sub-woofers in the Coliseum--remained fresh and invigorating.

 
Customer Reviews
3 Reviews
5 star: 33%  (1)
4 star: 33%  (1)
3 star: 33%  (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
 
 
 
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Most Helpful Customer Reviews

 
2 of 2 people found the following review helpful:
4.0 out of 5 stars Solid and varied album, 14 Feb 2003
This album is overall a very worthy sounding piece of neo-classical synth. However it is missing something somewhere between track 9 (an original from 1982) and track 13 (an extra track). Dont perceive me wrongly, as those extra tracks are extremely macabre and mannequin like, which is why I like Ultravox. Especially 'Break your back', a beat-box ballad reminding me of 'Hiroshima mon amour'. 'Serenade' is a wonderful sounding song, which really made me think of classical music in its use of ostinati and moving, progressive bass line etc. This album is a very artistic 'art-house' offering, not as atmospheric as the monumentally dark 'Rage in Eden', but it sounds more accessible than Lament and especially 'The Island Years'. I couldnt give it 5 stars because it doesnt grip me enough to listen to it all the way through and not having to look at the seconds left of the a song! 'Rage In Eden' on the other hand just takes me along in the journey, with some tracks sounding as if they've come from 'The Shining' or 'The Hunger'.
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1 of 2 people found the following review helpful:
5.0 out of 5 stars ultravox quartet, 6 Oct 2003
what more can be said about this album, i consider it to be one of the definative albums released by ultravox, the extra tracks originally featured on release b-sides and can also be found on recent 'rare' ultravox releases.
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2 of 5 people found the following review helpful:
3.0 out of 5 stars Hit album but missed opportunity, 11 Nov 2000
....for Ultravox to recapture the mood of their first two Ure-led albums, providing three chart singles, and an US fanbase with the Reap the Wild Wind track. But George Martin's enthusiasm in the production suite bleached their typical haunting synth-orchestral arrangements, none of which was necessary given the success of Vienna. The vienna-esque structure of the albums best moment, Visions in Blue, is the last real gasp of Ultravox being imaginative and visionary before relaxing on their laurels, and consigning themselves to bland releases happily ever-after.
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