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19 of 21 people found the following review helpful:
5.0 out of 5 stars
Hair-raisingly good., 31 Mar 2001
By A Customer
People seem to be keen to knock this one, merely because it is a sequel. Yes, Mike does seem to be milking the commercial potential of the name Tubular Bells a bit, but this is a good album. Those who say that it is simply a repeat of TB 1 and 2 are plain wrong, and those who say that it is just a pop version are wrong too. This album stands up on its own, and has a style quite unlike TB 1 (acoustic, album of lost souls) and TB 2 (slick, polished, confident, and smooth). TB 3 is modern, with influences from dance and rave, and it has a darkness to it, a bite. There are several beautiful pieces leading to the finale (I must say that the samples of this album given on this web-site are far from the best bits), including a superb wordless female vocal solo, and a rambling piano piece, mixed in with the pulsing modern stuff, with Indian-style vocals.Suddenly, though, the album grinds to a halt, and there is a track called "Man in the Rain". This sticks out like a sore thumb. Fortunately, since the music comes to a complete halt before and after it, you can programme your CD player to miss it out. This is yet another rewrite of Mike's one big pop hit "Moonlight Shadow", and is an embarrassment to the album. Once past this, though, the album builds to a fabulous climax, which will raise the hairs on your neck. The tubular bells, when they come in, are LOUD and angry, and the finale has an remarkable catharsis. The storm ends, and the album ends with birds singing, and church bells pealing. Get it, forget about the first two, listen to it for itself. You'll be blown away (especially if you skip track 7).
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