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87 of 88 people found the following review helpful:
4.0 out of 5 stars
The music's freshness impresses most in Tennstedt's survey., 1 Aug 2002
Many music lovers will by now have their own cherished CD versions of Mahler symphonies. Because the CDs won't wear out, and because Mahler tends to inspire fixed loyalties, internet browsers are unlikely to be considering a new purchase. Nevertheless, I offer a few comments in case there are some that are first time collectors or who cannot resist buying something about the size of a bathroom tile that will allow them to hear all Mahler's symphonies at home. German conductor Klaus Tennstedt recorded these works with the London Philharmonic Orchestra between 1977 and 1986. EMI have compressed the whole project into this tile-size box comprising 11 CDs. Included is the 28 minute adagio movement of the 10th symphony, the only movement Mahler completed. Several of the symphonies are of longer duration than can be accommodated on a single CD, so expect that some overlapping occurs. It is the freshness and glow of the music that impresses most in Tennstedt's survey, rather than manic intensity or incandescence. Rarely have I been so totally satisfied with a 4th or so disappointed with a 9th as here. Best of all are the performances of the 3rd and the 8th. There is some stunning horn playing in the former, where the Kingsway Hall recording is the best of the series. Having heard all these works performed at one time or another in Vienna, London and Australia, I are aware that they are immeasurably more effective in a live performance than between a set of headphones. I recommend this set, nevertheless, to those who want inexpensive and frequent access to one conductor's recorded survey of them.
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44 of 45 people found the following review helpful:
5.0 out of 5 stars
The best complete Mahler symphonies set?, 15 April 2006
I've owned several sets of the complete Mahler symphonies and as far as it's possible to get all the works in good performances on just one cycle this is the possibly the closest you'll get. The only relative disappointments are numbers 2 and 9, with the highlights being 1,3,6,7 and 8 with a bonus in a heartfelt performance of the Adagio from No 10. This set would almost satisfy my needs if I could afford only this one complete survey. Symphonies 2 and 9 could be covered by Bernstein in separate issues on Sony. Yes, Tennstedt can over-cook things at times - the finale of Symphony 6 is a case in point, but at least he (and consequently his orchestra) really feels the emotions behind the notes without straying into hysteria territory as does Solti on his Decca set. The LPO are in fine, committed form throughout and if anyone points out that they are not as refined as say the Berlin PO or Vienna PO then I would say that such 'refinement' doesn't suit Mahler anyway; the playing of his music needs a touch of edge, of coarseness even, to bring out the elements of rusticity and nature which inspired so many of Mahler's ideas. This is why I have problems with, say, Karajan in Mahler; too suave, too cultured and poles apart from Tennstedt, (and of Bernstein in his 1960s cycle, which is perhaps the next best alternative to this Tennstedt). The recording quality generally on the Tennstedt set is is very good and even outstanding, perhaps only the Second being below par - also at the very end of the Eighth, when momentarily the sound-picture goes opaque in a very odd way. Whether you are looking for a complete cycle, or maybe first-rate performances of 1,3,6,7, and 8, or if you haven't heard Klaus Tennstedt in Mahler, then order this magnificent set; it's one of the best investments you'll ever make. Knowing what I now know, after years of collecting and refining, I feel that I would have a truly great Mahler symphonies survey by owning the Tennstedt and Bernstein Sony/CBS complete sets plus 4, 5 and 6 covered respectively by Horenstein (CfP), Schwarz (Everest) and Barbirolli (EMI); awesome performances of some of the very greatest and most original music ever written, taking up just 4 inches of shelf space. Other especial recommendations would be Mehta's VPO Second on Decca and Maderna's astonishing Ninth on BBC Legends.
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50 of 52 people found the following review helpful:
4.0 out of 5 stars
Clear, Powerful, Satisfying performances of a Master's works, 5 Jul 2004
From the start of the First Symphony Tennstedt makes his intentions known. He is not interested in questions of how individual symphonies reflected the state of Mahler's mind at the time they were written. He is not interested in making this symphony triumphant or that one tragic. He is going to let the music speak for itself, in its own time. This is a sound attitude to take with a composer whose musical voice plumbs the depths and rises to the heavens without any extra help. What has impressed me most about this box set is the consistency of the performances which makes it easy to play through the entire set and hear how Mahler developed his art. All Mahler fans have their own favourite performances of individual symphonies and there is always more that can be brought out in an individual performance. While the performances of symphonies 2 5 and 7 here are good and telling on their own terms there are certainly other conductors who have brought out more from these scores. When it comes to symphony No 7 Tennstedt has chosen the usual modern timings for the movements which means that he takes 15 minutes for the 4th movement, a little faster than some but nowhere near Mahler's own timing of 12 minutes at the premier. I must say I prefer Mahler's own speed. Simon Rattle's performance with the City of Birmingham Symphony Orchestra, also on EMI, takes Mahler's lead and is worth investigating. The effect is to lighten the spirits of the whole work and make sense of Mahler's comment that it was a 'happy' symphony. What are the high points to the Cycle ? Symphonies 3 and 8 here are often singled out, but they are actually simply up to the high overall standard. The set does end on a high note with a clear persuasive reading of Symphony number 9 and the beggining Adagio movement of the unfinished 10th Symphony. The performance of the 9th Symphony has the majestic sweep of a master summing up his musical achievement and is entirely right and satisfying at the end of this high quality cycle. Tennstedt's master stroke is the way in which the final movement of the 9th fades, only for the music to be reborn in the Adagio of the 10th. By handling it in this way Tennstedt acknowledges both the end of the cycle of completed symphonies and the promise of further triumph's had Mahler lived, that the 10th represents. My only regret after listening to the 10th's Adagio here is that Tennstedt did not record a performing version of the whole symphony, as I fond his approach more suited to the music than those of others who have recorded it so far. These are good quality recordings from the beggining of the digital era. They are generally excellent and clear with the London Philharmonic Orchestra aquitting themselves well, as do the various Choirs and solo singers. There is perhaps a little too much brightness in the higher frequencies, especially in the brass. There is also a very wide dynamic range so that if you want to hear everything in the quietest passages you make find yourself overwhemed by the sound coming out of your speakers a few minutes later. This may be an accurate representation of the performances, but doesn't make for the easiest listening. Overall a fine set. These are in no way Budget Price Performances, so at this price snap them up!
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