Amazon.co.uk Review
It takes a few listens to sink in, but on Aquemini, Outkast have pulled off a rare feat in hip-hop: they've made a good record that's a masterpiece of subtlety. What's more, it's their third record, and they've yet to fall into a rut--and that alone puts them in line for an award. The Organized Noize production crew is sublime, working with live musicians and crafting hook-filled soundscapes that complement Big Boi and Andre Benjamin's melodic patter. (See "Rosa Parks," "Chonkyfire," and the epic "Liberation" which features
Erykah Badu, Cee Lo, and Big Rube--and clocks in at just under nine minutes.) Classy and intelligent, Outkast haven't sacrificed anything in their quest to make challenging, innovative hip-hop that forgoes idle boasting for the duo's message. A sample, from the title track: "Now, question: is every nigga wit dreads for the cause? / Is every nigga wit golds for the fall? Naw / So don't get caught in appearance."--
Randy Silver
CD Description
Every once in a while someone makes an album that actually means something. This time around, Outkast is that someone, and AQUEMINI is that album. With their first album, Outkast created Southern hip-hop, and with their second album, they further defined it. Then, rap groups from the South really took off, and took the sound of the South with them, far fromthe boundaries set by Big Boi and Dre. However, the two innovative MCs break new ground with AQUEMINI, their third album, not to reclaim their reign of the dirty South, but to establish their mark in the universal scheme of hip-hop.
Rapmusic needs AQUEMINI for its lyrical consciousness, its musical creativity, and its accessibility. One of the album's most impressive qualities is its ability to keep it real without self-consciousness. Outkast takes an everyday situation and turns it into an amazing storytelling journey into outerspace. Songs such as the seven-minute "SpottieOttieDopaliscious" that feature live instruments and poetic lyrics are Outkast at their best.