Amazon.co.uk Review
This 1998 collection of remixes, early singles and two new tracks complements
Modus Operandi, the first album by Rupert Parkes, a.k.a. Photek. At the opposite end of the drum & bass spectrum to the jazzy R&B tinged music of Mercury Prize winner
Roni Size and his ensemble of musicians and vocalists, these austere, almost minimalist compositions--often stripped down to intricate percussion, the occasional bass line, plus a few ghostly sonic embellishments--invite the listener to engage with the up-close textures of rhythm and timbre, and this approach is rigourously maintained by the various remixers (among whom are Doc Scott and
Peshay). "Rings of Saturn" weaves in a sample from Pharaoh Saunders, and is perhaps the most immediately appealing cut here with its almost joyfully buoyant bassline. The early singles paved the way for a more cerebral, less dancefloor-orientated approach to drum & bass (a legacy taken up by
Squarepusher, amongst others) and Photek's avant-garde sensibilities, as the title suggests, are structural, almost scientific in nature: rhythmic details rather than melodic hooks are what drive the music. The result is a record which, if a little ascetic on first encounter, has an appealing and rewarding complexity. --
Burhan Tufail
From Amazon.com
Like the best drum & bass musicians, Photek explores the nuances of the rhythms that most jungle musicians, blinded by dance-floor strobe lights, take for granted. His rarefied electronic tracks rarely overlap more than a handful of discrete sonic elements. On "The Water Margin," for example, cetacean burbles bounce amid an extended percussion solo and a lone, vaporous, synthetic woodwind. And that's it. The composerly sense of musical development Photek brings to these skeletal constructions has lent his earliest recordings a reputation as the blueprint of avant-garde drum & bass. Four of those early recordings, "The Water Margin" among them, are collected on
Form & Function, which also includes six appropriately uncluttered remixes (by J Majik, Doc Scott, Peshay, and others) and two brand new tracks, one spooky, one funky.
--Marc Weidenbaum