Amazon.co.uk Review
As promised, this long-awaited full-length collaboration bears the hallmarks of Bacharach's classic 1960s work with the likes of Dionne Warwick--full-force melodies, traditional pop instrumentation, clever and occasionally pained lyrics.
Painted from Memory finds Costello and Bacharach revelling in their gifts on a dozen tracks that range from concise under-three-minute gems ("I Still Have That Other Girl", which sounds like the great lost Chuck Jackson single) to sprawling art songs ("Toledo", the pair's
Grace of My Heart contribution "God Give Me Strength"). On the latter Costello meets his match in a co-writer who knows when to let the excesses flow and when to stem the tide; his occasionally straining vocals only add to the album's heightened effect. The result is some instant classics that stand head and shoulders above much of Costello's 1990s work. --
Rickey Wright
CD Description
As far back as 1978, Elvis was paying homage to Bacharach, with a live version of "I Just Don't Know What to Do with Myself" on the STIFFS LIVE album. When the two collaborated on"God Give Me Strength" (included here) for the film Grace of My Heart, they hit it off so well that they decided to write an entire album together, PAINTED FROM MEMORY being the glorious result. Bacharach and Costello are a natural fit; Costello has long been a proponent of extended melodic structures, irregular metre and sophisticated harmonies, on all of which Burt wrote the book. After Hal David, Bacharach never had another lyricist who could live up to his melodies-untilnow.
Bacharach's melodies and orchestrations here all hark back to his salad days of Dionne Warwick and Dusty Springfield. On "Toledo", he even employs that classic double-flugelhorn sound that is the trademark of his '60s work. The string arrangements are characteristically tart and catchy as hell. Reigned in by the pure pop of Bacharach's tunes, Costello abandons wordplay and extended metaphor, contributing themost straightforward lyrics of his career. Vocally, Elvis is in crooner mode, pushing his upper range and vibrato for all they're worth, investing every tune with palpable emotion.