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Track Listings
| 1. Ghost of Christmas Eve |
| 2. Boughs of Holly |
| 3. World That She Sees |
| 4. Midnight Christmas Eve |
| 5. March of the Kings/Hark! The Herald Angels Sing |
| 6. Three Kings and I (What Really Happened) |
| 7. Christmas Canon |
| 8. Joy/Angels We Have Heard on High |
| 9. Find Our Way Home |
| 10. Appalachian Snowfall |
| 11. Music Box |
| 12. Snow Came Down |
| 13. Christmas in the Air |
| 14. Dream Child (A Christmas Dream) |
| 15. Angel's Share |
| 16. Music Box Blues |
Product Description
From Amazon.com
Fans of Andrew Lloyd Webber will discover he has a soul mate in one Paul O'Neill, the "conductor" of the Trans-Siberian Orchestra. A dyed-in-the-wool sentimentalist, O'Neill presents this pop-rock tale from 1998 with all the glitz and glory of a Lloyd Webber Broadway show. Playing to the common themes of the season through a tale about a little angel sent to Earth to leave behind a gift, O'Neill creates a big-sounding production heavy on lead guitars and orchestral filigree. There are pieces of familiar Christmas carols and hymns and a handful of unembellished acoustic numbers to offset the brighter parts of the musical melodrama. While his singers and players are all professional sounding, O'Neill often mistakes sentiment as a grand gesture when it needs to be something less ambitious or noticeable. Nonetheless, there's a TV special or Broadway show wrapped up in this attic and it won't go away until it gets done. --Martin Keller
Fans of Andrew Lloyd Webber will discover he has a soul mate in one Paul O'Neill, the "conductor" of the Trans-Siberian Orchestra. A dyed-in-the-wool sentimentalist, O'Neill presents this pop-rock tale from 1998 with all the glitz and glory of a Lloyd Webber Broadway show. Playing to the common themes of the season through a tale about a little angel sent to Earth to leave behind a gift, O'Neill creates a big-sounding production heavy on lead guitars and orchestral filigree. There are pieces of familiar Christmas carols and hymns and a handful of unembellished acoustic numbers to offset the brighter parts of the musical melodrama. While his singers and players are all professional sounding, O'Neill often mistakes sentiment as a grand gesture when it needs to be something less ambitious or noticeable. Nonetheless, there's a TV special or Broadway show wrapped up in this attic and it won't go away until it gets done. --Martin Keller
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