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Released in 1981, My Life in the Bush of Ghosts is a collaboration between ambient pioneer Brian Eno and Talking Heads frontman David Byrne. On Ghosts, the two strong-willed musicians manage to come to a meeting of the minds, blending Byrne's herky-jerky funk with Eno's atmospheric sound sculpting. More than anything, this is a large album, intent on pushing itself to the front of the listener's consciousness. Abundant percussion (everything from booming tribal drums to eerie electronics) reverberates in the background while Byrne and Eno toss all manner of found sounds, field recordings, and radio broadcasts into the mix. What results is a groundbreaking album that introduced a generation to the dazzling possibilities offered by electronic recording techniques. Highlights include "The Jezebel Spirit", an electro-funk workout that uses a recording of an exorcism as its focal point, and "Very, Very Hungry", a mysteriously ethereal display of electronic percussion and large-scale sonic architecture. --S. Duda
CD Description
Eno was a key figure in the development of Talking Heads, producing some of their most innovative albums. This collaboration with head Head Byrne built on the sonic ground the twohad already broken together via their well established working relationship. The pair couldn't have known how influential MY LIFE IN THE BUSH OF GHOSTS would be in the next two decades.
Deconstructing the avant-funk of the Heads' REMAININ LIGHT, Byrne and Eno recorded polyrhythmic backing tracks similar to that effort. Instead of creating lyrics or melodies to lay over them, the duo turned to "found sounds" and voices, looping everything from radio talk show conversations to Muslim chants atop the rhythm bed, before anyone even knew what a sampler was. The subsequent impact on everything,from electronica to World music to whatever Bill Laswell isdoing this week, was inestimable. The most important thing is that all this high-minded studio wizardry works on a veryimmediately satisfying level.
Released in 1981, My Life in the Bush of Ghosts is a collaboration between ambient pioneer Brian Eno and Talking Heads frontman David Byrne. On Ghosts, the two strong-willed musicians manage to come to a meeting of the minds, blending Byrne's herky-jerky funk with Eno's atmospheric sound sculpting. More than anything, this is a large album, intent on pushing itself to the front of the listener's consciousness. Abundant percussion (everything from booming tribal drums to eerie electronics) reverberates in the background while Byrne and Eno toss all manner of found sounds, field recordings, and radio broadcasts into the mix. What results is a groundbreaking album that introduced a generation to the dazzling possibilities offered by electronic recording techniques. Highlights include "The Jezebel Spirit", an electro-funk workout that uses a recording of an exorcism as its focal point, and "Very, Very Hungry", a mysteriously ethereal display of electronic percussion and large-scale sonic architecture. --S. Duda
CD Description
Eno was a key figure in the development of Talking Heads, producing some of their most innovative albums. This collaboration with head Head Byrne built on the sonic ground the twohad already broken together via their well established working relationship. The pair couldn't have known how influential MY LIFE IN THE BUSH OF GHOSTS would be in the next two decades.
Deconstructing the avant-funk of the Heads' REMAININ LIGHT, Byrne and Eno recorded polyrhythmic backing tracks similar to that effort. Instead of creating lyrics or melodies to lay over them, the duo turned to "found sounds" and voices, looping everything from radio talk show conversations to Muslim chants atop the rhythm bed, before anyone even knew what a sampler was. The subsequent impact on everything,from electronica to World music to whatever Bill Laswell isdoing this week, was inestimable. The most important thing is that all this high-minded studio wizardry works on a veryimmediately satisfying level.
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