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Product Description
Amazon.co.uk Review
Once upon a time, Rod Stewart was not vamping indiscriminately about "Hot Legs" and asking "D'ya Think I'm Sexy?" He was a singer with a gravel-voice approximation of Sam Cooke and excellent taste in cover material. Here, he's toned down with folksy covers of Tim Hardin ("Reason to Believe"), Bob Dylan ("Tomorrow is Such a Long Time"), and Arthur "Big Boy" Crudup (via Elvis, "That's All Right Mama"). He tops his interpretive abilities with two originals that have since become standards ("Maggie May", "Every Picture Tells A Story"). Quite a different Rod from the one the world has come to know. --Rob O'Connor
CD Description
The aesthetic Rod Stewart had been honing over his first three solo albums--an aesthetic that combined folk, hard rock,and R&B swagger--was perfected on EVERY PICTURE TELLS A STORY. The album's combination of strong, original songs and plum cover versions reveal the artist's range and versatility as he simultaneously paid tribute to mentors and declared his own craft. Members of Stewart's regular group, the Faces, provide intuitive support, making nearly every track shine with passion and edge.
Stewart's take-no-prisoners interpretation of the Temptations' "(I Know I'm) Losing You" brought new dimensions to a Tamla/Motown classic. "Maggie May", one of the great pop anthems, is the obvious standout, but theremaining selections, such as "Mandolin Wind" and Tim Hardin's beautiful "Reason To Believe", have a similar sense of purpose. Through it all, of course, is Stewart's soulful, beautifully textured singing, which reaches its pinnacle on these performances, ensuring the artist's standing as one of rock's all-time greatest vocalists. If you buy only one Rod Stewart album, EVERY PICTURE TELLS A STORY should be it.
Once upon a time, Rod Stewart was not vamping indiscriminately about "Hot Legs" and asking "D'ya Think I'm Sexy?" He was a singer with a gravel-voice approximation of Sam Cooke and excellent taste in cover material. Here, he's toned down with folksy covers of Tim Hardin ("Reason to Believe"), Bob Dylan ("Tomorrow is Such a Long Time"), and Arthur "Big Boy" Crudup (via Elvis, "That's All Right Mama"). He tops his interpretive abilities with two originals that have since become standards ("Maggie May", "Every Picture Tells A Story"). Quite a different Rod from the one the world has come to know. --Rob O'Connor
CD Description
The aesthetic Rod Stewart had been honing over his first three solo albums--an aesthetic that combined folk, hard rock,and R&B swagger--was perfected on EVERY PICTURE TELLS A STORY. The album's combination of strong, original songs and plum cover versions reveal the artist's range and versatility as he simultaneously paid tribute to mentors and declared his own craft. Members of Stewart's regular group, the Faces, provide intuitive support, making nearly every track shine with passion and edge.
Stewart's take-no-prisoners interpretation of the Temptations' "(I Know I'm) Losing You" brought new dimensions to a Tamla/Motown classic. "Maggie May", one of the great pop anthems, is the obvious standout, but theremaining selections, such as "Mandolin Wind" and Tim Hardin's beautiful "Reason To Believe", have a similar sense of purpose. Through it all, of course, is Stewart's soulful, beautifully textured singing, which reaches its pinnacle on these performances, ensuring the artist's standing as one of rock's all-time greatest vocalists. If you buy only one Rod Stewart album, EVERY PICTURE TELLS A STORY should be it.
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What Do Customers Ultimately Buy After Viewing This Item?
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77% buy the item featured on this page: Every Picture Tells A Story £5.48 |
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5% buy Gasoline Alley £2.98 |
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