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Track Listings
| 1. Strike 1 |
| 2. Influx |
| 3. Hindsight |
| 4. Strike 2 |
| 5. What does your soul look like (part 2) |
| 6. What does your soul look like (part 3) |
| 7. What does your soul look like (part 4) |
| 8. What does your soul look like (part 1) |
| 9. Strike 3 |
| 10. High noon |
| 11. Organ donor (Extended Overhaul) |
Product Description
Amazon.co.uk Review
This set compiles much of DJ Shadow's pre-major label material in one convenient package in an attempt to foil bootleggers and bring new fans up-to-date in the curriculum. The results are naturally varied, but all point to a marvellous evolution of talent. The collection is kept together primarily by its propensity for jazzy beats and psychedelic loops. Shadow (né Josh Davis) moves through everything from old school funk ("In/Flux") to grungy 1960s-style guitar rave-ups ("High Noon"). The centrepiece of the set, however, is a four-part composition called "What Does Your Soul Look Like", which is likely to be the first ever entirely sample-driven rock opera. It's a brilliant piece of work, laced with intriguing sounds, sound bites, and a detectable set of motion. It is also quite possibly better than anything on the critically -acclaimed Entroducing. --Aidin Vaziri
CD Description
PREEMPTIVE STRIKE is less a second full-length effort from the Bay Area's finest hip-hop-minded deconstructionist DJ Shadow, than a sextet of older odds patched together with a pair of newer ends. All of these songs have previously appeared as import Mo Wax 12"s, but only two ("High Noon" and "Organ Donor [Complete Overhaul]") have come in the wake of Shadow's debut.
It is easy to distinguish the old from the new. Pieces like the four extremely different parts of 1995's hip-hop symphony "What Does Your Soul Look Like?", which takes up about half the album, are spacious; the myriad of samples breathing in between fluid, husky beats and melodies liftthe music out of any pre-conceived sampledelic morass. Whereas "High Noon" is tight, edgy and fiery; all psyche guitar groove, tribal drums and preachy voices. So it seems that what Shadow's music may have lost over the years in zen-like meditation it has gained in intensity-per-measure, an important trait for a dance-floor-commanding DJ.
It is easy to distinguish the old from the new. Pieces like the four extremely different parts of 1995's hip-hop symphony "What Does Your Soul Look Like?", which takes up about half the album, are spacious; the myriad of samples breathing in between fluid, husky beats and melodies liftthe music out of any pre-conceived sampledelic morass. Whereas "High Noon" is tight, edgy and fiery; all psyche guitar groove, tribal drums and preachy voices. So it seems that what Shadow's music may have lost over the years in zen-like meditation it has gained in intensity-per-measure, an important trait for a dance-floor-commanding DJ.
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