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The Deram Anthology: 1966-1968
 
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The Deram Anthology: 1966-1968

~ David Bowie
4.3 out of 5 stars  See all reviews (7 customer reviews)
Price: £4.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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The Deram Anthology: 1966-1968 + Early On (1964-1966) + Space Oddity
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Product details

  • Audio CD (9 Jun 1997)
  • Number of Discs: 1
  • Label: Deram
  • ASIN: B000003TW8
  • Other Editions: Audio CD
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon.co.uk Sales Rank: 17,698 in Music (See Bestsellers in Music)

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1. Rubber Band
2. The London Boys
3. The Laughing Gnome
4. The Gospel According To Tony Day
5. Uncle Arthur
6. Sell Me A Coat
7. Rubber Band
8. Love You Till Tuesday
9. There Is A Happy Land
10. We Are Hungry Men
11. When I Live My Dream
12. Little Bombardier
13. Silly Boy Blue
14. Come And Buy My Toys
15. Join The Gang
16. She's Got Medals
17. Maid Of Bond Street
18. Please Mr. Gravedigger
19. Love You Till Tuesday
20. Did You Ever Have A Dream
See all 27 tracks on this disc

Product Description

CD Description

Prior to his transformation into the Thin White Duke, ZiggyStardust or any of a half dozen personas that he's taken onthroughout his career, David Bowie was just another art student struggling to make the leap to fame and fortune. THE DERAM ANTHOLOGY is a fascinating look into the early workings of a legendary artist. Bowie's mucking about for a hit included Anthony Newley-influenced numbers ("Rubber Band"), a novelty song ("The Laughing Gnome") swinging London lounge ("Love You Till Tuesday") and pale imitations of early Pink Floyd ("She's Got Medals".) Other more notable attempts to distinguish these numbers included adding lots of orchestration ("The London Boys"), weather-related sound effects ("Please Mr. Gravedigger") and kitschy banjo and clavinet arrangements("Did You Ever Have A Dream"). After spending almost two years recording and watching his singles get roundly ignored by the public, Bowie started forming his unique style upon working with new producer Tony Visconti in late 1967 (This association would last another 13 years). Some of the earliest numbers of these sessions included the psychedelic folk of Bowie's mixed media trio Feathers on "Ching-A-Ling", the baroque grandiosity of "When I Live My Dream" and an early version of "Space Oddity", which is where it all started.

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Customer Reviews

7 Reviews
5 star:
 (3)
4 star:
 (3)
3 star:
 (1)
2 star:    (0)
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Average Customer Review
4.3 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
19 of 19 people found the following review helpful:
5.0 out of 5 stars Essential early Dave!, 27 Jul 2002
...This ain't rock'n'roll! This is...well, what exactly? This is a definitive collection of Bowie's releases for Deram in 1966 and 1967. DB was listening to the Velvet Underground, Scott Walker, and The Mothers of Invention at this time but these songs seem more influenced by music hall and big bands of the '20s and '30s, with waltz tempos aplenty and lots of oompah-ing brass arrangements! There's some twee psychedelia on "Sell Me A Coat" and "Ching A Ling", ultra-fey teen pop on "Love You Till Tuesday" and some semi-autobiographical cynical vignettes of Swinging London "Join The Gang", "Maid Of Bond Street" and "London Boys".

For the most part, however, it's like Listen With Mother hosted by Edgar Allen Poe. Beneath the rinky-dink arrangements are songs about a lonely bombardier who befriends two children and is run out of town as a suspected paedophile; a woman who drags up as a man to join the army; and a future in which the government has enforced mass abortion, suicide and sterilisation to stop the population explosion!

There's also some poignant songs that yearn for an idyllic childhood that never was - "Come And Buy My Toys" and the brilliant "There Is A Happy Land" (a forerunner of "After All" on MAN WHO SOLD THE WORLD).

Bowie's continual interest in Buddhism ("Quicksand", "Seven Years In Tibet") makes its first appearance here with "Silly Boy Blue".

The stand out song is "Please Mr Gravedigger",a spoken word monologue about a gravedigger who is digging a grave for the child-murderer he is contemplating killing! The only backing is a FX tape of a storm, DB stomping on a tray full of gravel, and a very convincing 'fake sneeze' ("Scuse me"). Outstanding, wierd and his first 'acting' role.

You can have fun spotting ideas and themes that Bowie has recycled on later occasions. Never one to waste an idea, the bass riff in the middle of "Join The Gang" (itself ripped off from "Gimme Some Lovin'") reappeared on "Strangers When We Meet", thirty years later; and "Ching A Ling"s melody was reworked as the synthesiser part on "Saviour Machine" from THE MAN WHO SOLD THE WORLD.

Oh, and "The Laughing Gnome" is on there too. The Bowie song no one will admit to liking, but we all secretly know all the words!

This album will make you wonder where David would be know if he had never discovered The Velvet Underground, Neitzsche and the influences that shaped his 1970s work. One thing's for sure, I'd rather listen to this CD than "Tonight" any day!

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6 of 6 people found the following review helpful:
4.0 out of 5 stars Nightmare in the Music Hall, 16 Mar 2005
By Pieter "Toypom" (Johannesburg) - See all my reviews
(TOP 10 REVIEWER)   
Recorded in 1966, this strange album displays Bowie's seeds of genius. The dark subject matter is presented in a type of music hall feel that is unconventional even now, three decades later. The wide variety of themes are often set to noteworthy tunes, whilst the inclusion of an early version of Space Oddity and the charming song The Laughing Gnome make the album a must for Bowie completists.

Tracks like Maid Of Bond Street, London Boys and Join The Gang deal with Bowie's youth in swinging London, whilst She's Got My Medals examines gender roles. The ominous We Are Hungry Men depicts a totalitarian nightmare where population control is carried out by cannibalism, amongst other things. Then there's Please Mr Gravedigger, about infanticide, and Little Bombardier, about child abuse. Bowie also explores the innocence of childhood in songs like This Is A Happy Land, Uncle Arthur and Come And Buy My Toys. Let Me Sleep Beside You and When Live My Dream are songs of yearning, quiet moving and memorable.

In a way, Bowie returned to this style of song on 1973's futuristic cabaret Aladdin Sane, albeit with more contemporary instruments and arrangements. That was also the year in which the re-released Laughing Gnome made the top ten in the UK. The music is remarkable and unusual but could find no audience in the psychedelic late sixties when rock legends were made. Those Bowie fans that have assimilated all his transformations down the years might find this an interesting collection, but it often still sounds weird. How great that Bowie persevered to make some of the most compelling music of the 1970s and 1980s. The roots of his genius are certainly evident here.

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5 of 5 people found the following review helpful:
4.0 out of 5 stars Music hall nightmare, 18 Jun 2004
By Pieter "Toypom" (Johannesburg) - See all my reviews
(TOP 10 REVIEWER)   
Recorded in 1966, this strange album displays Bowie's seeds of genius. The dark subject matter is presented in a type of music hall feel that is unconventional even now, three decades later. The wide variety of themes are often set to noteworthy tunes, whilst the inclusion of an early version of Space Oddity and the charming song The Laughing Gnome make the album a must for Bowie completists.
Tracks like Maid Of Bond Street, London Boys and Join The Gang deal with Bowie's youth in swinging London, whilst She's Got My Medals examines gender roles. The ominous We Are Hungry Men depicts a totalitarian nightmare where population control is carried out by cannibalism, amongst other things. Then there's Please Mr Gravedigger, about infanticide, and Little Bombardier, about child abuse. Bowie also explores the innocence of childhood in songs like This Is A Happy Land, Uncle Arthur and Come And Buy My Toys. Let Me Sleep Beside You and When Live My Dream are songs of yearning, quiet moving and memorable.
In a way, Bowie returned to this style of song on 1973's futuristic cabaret Aladdinsane, albeit with more contemporary instruments and arrangements. That was also the year in which the re-released Laughing Gnome made the top ten in the UK. The music is remarkable and unusual but could find no audience in the psychedelic late sixties when rock legends were made. Those Bowie fans who have assimilated all his transformations down the years might find this an interesting collection, but it often still sounds weird. How great that Bowie persevered to make some of the most compelling music of the 1970s and 1980s. The roots of his genius are certainly evident here.
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