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Track Listings
| 1. Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': Allegro assai |
| 2. Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': Andante con moto |
| 3. Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': Allegro ma non troppo - presto |
| 4. Piano Sonata No. 8 in C minor, Op. 13, 'Pathetique': Grave - allegro molto e con brio |
| 5. Piano Sonata No. 8 in C minor, Op. 13, 'Pathetique': Adagio cantabile |
| 6. Piano Sonata No. 8 in C minor, Op. 13, 'Pathetique': Rondo (allegro) |
| 7. Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2, 'Moonlight': Adagio sostenuto |
| 8. Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2, 'Moonlight': Allegretto |
| 9. Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2, 'Moonlight': Presto agitato |
| 10. Piano Sonata No. 26 In E-Flat Major, Op. 81a, 'Les Adieux': Lebewohl, Adagio - allegro |
| 11. Piano Sonata No. 26 In E-Flat Major, Op. 81a, 'Les Adieux': Abwesenheit, Andante espressivo |
| 12. Piano Sonata No. 26 In E-Flat Major, Op. 81a, 'Les Adieux': Wiedersehen, Vivacissimamente |
On this CD:
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Sonata for Piano No. 8, 'Pathétique' in C minor
Composed by Ludwig van Beethoven
with Ivan Moravec
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Sonata for Piano No. 14, 'Moonlight' in C sharp minor
Composed by Ludwig van Beethoven
with Ivan Moravec
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Piano Sonata No. 23, "Appassionata" in F minor
Composed by Ludwig van Beethoven
with Ivan Moravec
-
Piano Sonata No. 26, "Les adieux" in E flat
Composed by Ludwig van Beethoven
with Ivan Moravec
Product Description
From Amazon.com
These memorable performances come from Moravec's Connoisseur Society recordings of 1962-70. That series, even more than his concerts, helped make the pianist's reputation among (appropriately enough) connoisseurs as one of our greatest pianists. The disc is truly a collection of wonders: unaffected yet intense performances of familiar music, with never a cliché of interpretation or an indifferent moment. Moravec isn't known as a player of virtuoso showpieces, but the finales of the Moonlight and Appassionata show that he has technique and power in abundance. The recordings, outstanding for their time, still sound realistic and rich-toned. It's a pity that Moravec hasn't recorded more; savvy pianophiles snap up whatever we can. --Leslie Gerber
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