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Product Description
Amazon.co.uk Review
We always suspected they had it in them, but who knew Yo La Tengo would finally craft a record as wholeheartedly terrific as this? Fourteen years into their career as indie rock's low-key mainstays, the Hoboken, New Jersey, trio have arrived--and it's about time. It's as though simply by sticking around long enough and doing the same thing over and over while constantly refining and focusing Yo La have evolved from scattered, record-collecting eccentrics into the true classicists of 1990s indie rock. Blending elements of what has illuminated Sonic Youth, Stereolab, Pavement and My Bloody Valentine, they've long had a clear voice but never sounded so comfortable using it. Wilfully eclectic husband-and-wife multi-instrumentalists Ira Kaplan and Georgia Hubley--with third member James McNew never sounding more permanent--have previously tended to alternate between their instincts to be a pop rock band and to serve as artsy noisemakers. On I Can Hear..., the group doesn't have to choose between songs and sounds. There's noise leaking out everywhere, but it's always under control. Even the most layered soundscapes--songs like "Autumn Sweater", "Sugarcube", or "Moby Octopad"--have unforgettable melodies, with fragile harmonies to boot. "We're an American Band" (not a Grand Funk cover) could be Simon and Garfunkel singing along to the Jesus and Mary Chain. And on tracks like "Shadows" or "My Little Corner of the World", where the melody consumes everything else, deceptively simple backdrops provide a less-is-more atmosphere. Just in time for indie rock to catch up with Yo La Tengo, Yo La Tengo has caught up with itself. --Roni Sarig
CD Description
Yo La Tengo began life as one among hundreds of Velvet Underground-inspired bands, banging out dark, skittish tunes that displayed YLT guitarist/vocalist Ira Kaplan's affection for Uncle Lou as well as Yo La Tengo's commitment to creating a gently subversive groove. Over the years, the band, which also features Kaplan's wife Georgia Hubley on drums and vocals, has gone through more identity changes than David Bowie,from acoustic folk-rock to wailing, Sonic Youth-like guitarchitecture.
On this album, the band consolidates their sound as they expand it, incorporating bossa nova, electronicaand '60s pop into a gorgeous shimmering whole that is something more than the sum of its parts. The laconic-but-expressive vocals of Kaplan and Hubley provide the songs with just the right combination of detachment and naivete, and the trio (which also includes bassist James McNew) sounds like one person with six arms, three brains and one big heart. And don't worry; "We're An American Band" isn't the old Grand FunkRailroad song.
On this album, the band consolidates their sound as they expand it, incorporating bossa nova, electronicaand '60s pop into a gorgeous shimmering whole that is something more than the sum of its parts. The laconic-but-expressive vocals of Kaplan and Hubley provide the songs with just the right combination of detachment and naivete, and the trio (which also includes bassist James McNew) sounds like one person with six arms, three brains and one big heart. And don't worry; "We're An American Band" isn't the old Grand FunkRailroad song.
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