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Track Listings
| 1. Taxman |
| 2. Eleanor Rigby |
| 3. I'm only sleeping |
| 4. Love you to |
| 5. Here there and everywhere |
| 6. Yellow submarine |
| 7. She said she said |
| 8. Good day sunshine |
| 9. And your bird can sing |
| 10. For no one |
| 11. Dr Robert |
| 12. I want to tell you |
| 13. Got to get you into my life |
| 14. Tomorrow never knows |
Product Description
Amazon.co.uk Review
There are only three stories worth knowing from the last 2,000 years of history: the life of Mohammed, the life of Jesus and the career of The Beatles. They invented all music ever. John was the best one; but Paul is--despite the knighthood and everything--still the most under-rated songwriter of the 20th century. This is the album with "Eleanor Rigby", "Here, There and Everywhere", "For No One", "I'm Only Sleeping" and "Tomorrow Never Knows" on it--but then, you knew that anyway. We presume you have this album already and you're just getting a second copy in case you lose the first. --Caitlan Moran
Description
Arguably the first psychedelic rock album, REVOLVER was praised for its musical experimentation--the Indian sounds of "Love You To", the Motown-inspired "Got To Get You Into My Life", the backwards guitar in "I'm Only Sleeping". "Tomorrow Never Knows" was the most radical departure from previous Beatles' recordings for its skeletal bass/drums propulsion enhanced only with tape loops (contributed by all four Beatles and added in the mix-down process), more backwards guitar, and an eerie John Lennon vocal.
Still, the Beatles' experimentation grew out of their songwriting, which had matured beyond formula pop. "Tomorrow Never Knows" was inspired by the Tibetan Book of the Dead, Harrison's "Taxman" was a bitterdiatribe, and McCartney's "Eleanor Rigby" was a bleak portrait of loneliness. Balanced with upbeat songs like "Good DaySunshine" and "Yellow Submarine", REVOLVER proved The Beatles were not mere pop stars, but musical artists in search ofnew sounds and ideas.
There are only three stories worth knowing from the last 2,000 years of history: the life of Mohammed, the life of Jesus and the career of The Beatles. They invented all music ever. John was the best one; but Paul is--despite the knighthood and everything--still the most under-rated songwriter of the 20th century. This is the album with "Eleanor Rigby", "Here, There and Everywhere", "For No One", "I'm Only Sleeping" and "Tomorrow Never Knows" on it--but then, you knew that anyway. We presume you have this album already and you're just getting a second copy in case you lose the first. --Caitlan Moran
Description
Arguably the first psychedelic rock album, REVOLVER was praised for its musical experimentation--the Indian sounds of "Love You To", the Motown-inspired "Got To Get You Into My Life", the backwards guitar in "I'm Only Sleeping". "Tomorrow Never Knows" was the most radical departure from previous Beatles' recordings for its skeletal bass/drums propulsion enhanced only with tape loops (contributed by all four Beatles and added in the mix-down process), more backwards guitar, and an eerie John Lennon vocal.
Still, the Beatles' experimentation grew out of their songwriting, which had matured beyond formula pop. "Tomorrow Never Knows" was inspired by the Tibetan Book of the Dead, Harrison's "Taxman" was a bitterdiatribe, and McCartney's "Eleanor Rigby" was a bleak portrait of loneliness. Balanced with upbeat songs like "Good DaySunshine" and "Yellow Submarine", REVOLVER proved The Beatles were not mere pop stars, but musical artists in search ofnew sounds and ideas.