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Star Trek VI: The Undiscovered Country [Soundtrack] [Import]

~ Cliff Eidelman, Star Trek (Related Recordings)

5.0 out of 5 stars See all reviews (3 customer reviews)

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Product details

Audio CD (10 Dec 1991)
Number of Discs: 1
Format: Soundtrack, Import
Label: Euro Parrot
ASIN: B000002OJG
Other Editions: Audio CD | Audio Cassette

Average Customer Review: 5.0 out of 5 stars See all reviews (3 customer reviews)

Amazon.co.uk Sales Rank: 109,593 in Music (See Bestsellers in Music)

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1. Overture

2. Incident

3. Clear All Moorings

4. Assassination

5. Surrender for Peace

6. Death of Gorkon

7. Rura Penthe

8. Revealed

9. Escape from a Rura Penthe

10. Dining on Ashes

11. Battle for Peace

12. Sign Off

13. Star Trek VI Suite

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Customer Reviews

3 Reviews

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4 star:		(0)
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Average Customer Review

5.0 out of 5 stars (3 customer reviews)

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Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

5.0 out of 5 stars Dark, Brooding, Operatic, Almost Disturbing Masterpiece, 21 Sep 2003

By	"yousillytwistedboyyou" - See all my reviews

Whereas Leonard Rosenman's score for Star Trek IV was joyous, and grand, Cliff Eidelman's score for Star Trek VI is extremely dark and brooding. From the main titles, featuring a relentless cello ostinato and outbursts from the full orchestra as well as a chorus (something heretofore unheard in the Star Trek universe) Eidelman sets the tone of the film as dark, unforgiving, and ultimately one about sacrifice. Much of his score is in a similar dark vein, utilizing choral moans and brass to astounding effect. Eidelman also uses ethnic instruments as evidenced in the opening passage to the cue "Assassination" used to underscore a conversation between Spock and his apprentice Valkris. When on the Penal Colony Rura Penthe, Eidelman creates extremely atonal, harsh, aggresive music, and for the long panoramic views of the harsh winter wasteland, trumpet solos soar above the orchestra. In one of the films first sequences, where the Enterprise Leaves Drydock, Eidelman allows his orchestra to unleash itself with an extremely happy fanfare and an almost naval flair. In one of the final cues, "The Battle for Peace" Eidelman takes his previously established material, and uses it to full effect,creating an eerie blend between Holst's Mars, and Stravinsky's Firebird, with his warlike percussion, Heavy use of strings and high woodwinds, and choral outbursts that punctuate the entire score. Eidelman finally allows a certain degree of joy in his final cue "Star Trek VI Suite" which orchestrationally is similar to Rosenman's Star Trek IV theme, using chimes and brass to full effect, he then switches to the films main theme, and leaves us with a melancholy solo trumpet playing over tremolo strings. Eidelman's score is perhaps one of the more underrated of the "Star Trek" scores and deserves to be rediscovered for it's beauty, anger, and value as fine music.

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1 of 1 people found the following review helpful:

5.0 out of 5 stars The Undiscovered Soundtrack, 27 Aug 2002

By	"barb-matt" - See all my reviews

This review is from: Star Trek VI: The Undiscovered Country (Audio CD)

James Horner and Jerry Goldsmith are the forerunners of the Star Trek music (Horner has done ST2&4, Goldsmith ST1,5,8&9) but this soundtrack is the best one for the classic crew to go out on. It is moving and during the action scenes adreanalin pumping. It is one of the best.

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5.0 out of 5 stars Star Trek-ing, 25 Jun 2009

By	Spice Boy "confessions" (uk) - See all my reviews

Good dark music.......The star trek theme tune is not present all be it 2 little seconds of the famous tune, This re-writes the score of past trek movies 1-5 and gives us somthing new to listen to....Dark it is but fun also my fave score for a trek movie by far...Ok maybe 2nd trek 5 was pretty good.

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