Amazon.co.uk Review
McKennitt's recordings always have the quality of a spiritual sojourn; her songs are those of a seeker, whether she's setting Yeats, Scripture, or her own words to her compositions. It's this that attracts people to her music, and
The Book of Secrets is no exception, whether it's the lazy rhythms of "Marco Polo," the sober joy of "The Mummers' Dance," the poignancy of "Skellig" or "Dante's Prayer," or the drama of Alfred Noyes's "The Highwayman". "The Highwayman" is a particularly strong effort, especially in comparison to her earlier setting of "The Lady of Shalott"; McKennitt has become much more skilled at musical narrative. This is music that can be enjoyed on many levels, from McKennitt's growing skill as a composer to the deeper questions posed by her lyrics.
--Genevieve Williams
CD Description
Loreena McKennitt began her career as a New Age pop chanteuse, steeped in Celtic folk mysticism and possessed of an airy, ethereal voice. Over the course of her career she has dabbled to varying extremes in the pop format, but she remains true to the spirit of the traditional balladeer on THE BOOK OF SECRETS. With the aid of top-flight musicians like Danny Thompson and David Rhodes, she weaves a web of fanciful, wispy folk-rock that's not afraid to be beautiful as it pulls listeners in with it's comforting hypnotic qualities.