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Product Description
Amazon.co.uk Review
After the best part of a decade spent adrift of past glories, Lou Reed looked to his immediate environment for inspiration and produced with his most acclaimed work since The Velvet Underground disbanded. The narrator of songs such as "Sunset Boulevard" and "Good Evening Mr Waldheim" though, couldn't be more different to the drug-addled nihilist who wrote "Waiting For The Man". In New York, drugs are still part of everyday life, but Reed's spleen is targeted at the forces responsible for such social malaise--none of which would matter, of course, were it not for the stripped down garage sound which substantially loosens the mood. Doubters may suggest we be spared from another reformed rebel turned concerned parent, but if there's anything objectionable about New York, it's the regrettable mullet hairstyle sported by its author--a far greater crime than any that recur in his lyrics. --Peter Paphides
CD Description
Arguably the finest album of Reed's solo career, NEW YORK hails back to the days of the Velvets with its no-nonsense approach and unflinchingly sardonic lyrics. The difference is that there's a lifetime of learning in the songs here, and Reed had learned how to focus his incisive wit, sharpening his lyrical knife to a fine point with attacks on the NYPD, Jesse Jackson, right wing extremists and a host of others. An attractive development on NEW YORK is the way Reed deftly intermingles plain-spoken socio-political observations with inspired poetic flights, as on the street fable "Romeo Had Juliette".
Reed proves to be an adept social critic on "Endless Cycle", which examines the cyclical nature of physical abuse with unerring precision, and the unlikely radio hit "Dirty Blvd"., where Reed takes a look at the disparity betweenhaves and have-nots in his storied home town. On "DimestoreMystery", a precursor to SONGS FOR DRELLA, he uses Andy Warhols death as a vehicle for musing on the human and the divine, and the mortality that separates the two. Mo Tucker's guest appearance on this track furthers the VU comparisons. After the Velvet Underground albums, NEW YORK is the essentialLou Reed work to own.
After the best part of a decade spent adrift of past glories, Lou Reed looked to his immediate environment for inspiration and produced with his most acclaimed work since The Velvet Underground disbanded. The narrator of songs such as "Sunset Boulevard" and "Good Evening Mr Waldheim" though, couldn't be more different to the drug-addled nihilist who wrote "Waiting For The Man". In New York, drugs are still part of everyday life, but Reed's spleen is targeted at the forces responsible for such social malaise--none of which would matter, of course, were it not for the stripped down garage sound which substantially loosens the mood. Doubters may suggest we be spared from another reformed rebel turned concerned parent, but if there's anything objectionable about New York, it's the regrettable mullet hairstyle sported by its author--a far greater crime than any that recur in his lyrics. --Peter Paphides
CD Description
Arguably the finest album of Reed's solo career, NEW YORK hails back to the days of the Velvets with its no-nonsense approach and unflinchingly sardonic lyrics. The difference is that there's a lifetime of learning in the songs here, and Reed had learned how to focus his incisive wit, sharpening his lyrical knife to a fine point with attacks on the NYPD, Jesse Jackson, right wing extremists and a host of others. An attractive development on NEW YORK is the way Reed deftly intermingles plain-spoken socio-political observations with inspired poetic flights, as on the street fable "Romeo Had Juliette".
Reed proves to be an adept social critic on "Endless Cycle", which examines the cyclical nature of physical abuse with unerring precision, and the unlikely radio hit "Dirty Blvd"., where Reed takes a look at the disparity betweenhaves and have-nots in his storied home town. On "DimestoreMystery", a precursor to SONGS FOR DRELLA, he uses Andy Warhols death as a vehicle for musing on the human and the divine, and the mortality that separates the two. Mo Tucker's guest appearance on this track furthers the VU comparisons. After the Velvet Underground albums, NEW YORK is the essentialLou Reed work to own.
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