Amazon.co.uk Review
This 1975 release came smack in the middle of a long and nearly mythic career.
Physical Graffiti is the last great Led Zeppelin title, recorded before the influences of the day (synthesizers, disco) ended Zeppelin's reign as the kings of loud and sexy blues-metal. Playfully experimenting with new sounds, the band blended Middle Eastern rhythms, folk-stylings, heavy blues, and deeply impassioned rock riffs into a two-disc set that sounded as if they were still enjoying their place in the rock pantheon. As sprawling and adventurous as this collection is, there are some tracks so tightly focused--so ultra-Zeppelinesque--that it's tempting to name this as a number one or number two must-have. "Trampled Underfoot" and "Custard Pie" alone are almost worth the double-disc price tag.
--Lorry Fleming
CD Description
After a two-year recording gap (the longest in their recording career up to that point), Led Zeppelin followed the rampant eclecticism of HOUSES OF THE HOLY with the embarrassmentof riches that is PHYSICAL GRAFFITI. One could be forgiven for thinking of this expansive double-length set as Zeppelin's WHITE ALBUM. It's a great schizophrenic beast, the first side containing the most concentrated dose of pure hard-rockenergy the band had delivered since their first two albums,and the second showing off the more subtle nuances of theirtalent.
This is really Jimmy Page's album, from the masterfully moody Eastern setting of "Kashmir" to the poignant liquidity of "Down by the Seaside" and the furious riffing of"Trampled Under Foot". The 1950s-style rocker "Boogie with Stu" (featuring Stones pianist Ian Stewart) and the rural romp "Bron-Yr-Aur" add yet more colours to the spectrum of what may be the most emotionally satisfying album in the Led Zeppelin canon.