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Product Description
Amazon.co.uk Review
Buoyed by the runaway commercial success of Led Zeppelin IV, Jimmy Page used this 1973 follow-up to hone his already impressive production skills, and the result was a collection sporting an impressively expansive sound. Benefiting--especially on tracks such as "Dancing Days Are Here Again", "The Crunge" and "Over the Hills and Far Away"--was Zeppelin's always underrated rhythm section: thunder-fisted drummer John Bonham and rock-solid bassist John Paul Jones. Jones also emerged here as a secret weapon on keyboards with his subtle work on more pensive fare such as "No Quarter" and "The Ocean". And the goofy "D'yer Ma'ker" showed that Zeppelin had more of a sense of humour than most people ever gave them credit for. --Billy Altman
CD Description
By 1973, Led Zeppelin was getting used to being the biggestband on the planet (both financially and sonically). Letting their guard down and their spirits wander, they came up with the most widely varied album in their discography. Stylistically, HOUSES OF THE HOLY is all over the map, but it coheres in a grand manner befitting the '70s rock royalty Zeppelin had become. Stepping back a little from the epic scale ofZEPPELIN IV, the group slips into a funky James Brown homage ("The Crunge"), offers one of the first-ever attempts at reggae-rock ("D'yer Ma'ker"), and ventures into Pink Floyd-like prog rock ("No Quarter"). Jimmy Page's guitar work is at its most exquisitely beautiful on "The Rain Song", but the heavy-rock punch of yore is still present and accounted for on "Dancing Days" and "The Ocean". From here, it seemed like Led Zeppelin was capable of anything.
Buoyed by the runaway commercial success of Led Zeppelin IV, Jimmy Page used this 1973 follow-up to hone his already impressive production skills, and the result was a collection sporting an impressively expansive sound. Benefiting--especially on tracks such as "Dancing Days Are Here Again", "The Crunge" and "Over the Hills and Far Away"--was Zeppelin's always underrated rhythm section: thunder-fisted drummer John Bonham and rock-solid bassist John Paul Jones. Jones also emerged here as a secret weapon on keyboards with his subtle work on more pensive fare such as "No Quarter" and "The Ocean". And the goofy "D'yer Ma'ker" showed that Zeppelin had more of a sense of humour than most people ever gave them credit for. --Billy Altman
CD Description
By 1973, Led Zeppelin was getting used to being the biggestband on the planet (both financially and sonically). Letting their guard down and their spirits wander, they came up with the most widely varied album in their discography. Stylistically, HOUSES OF THE HOLY is all over the map, but it coheres in a grand manner befitting the '70s rock royalty Zeppelin had become. Stepping back a little from the epic scale ofZEPPELIN IV, the group slips into a funky James Brown homage ("The Crunge"), offers one of the first-ever attempts at reggae-rock ("D'yer Ma'ker"), and ventures into Pink Floyd-like prog rock ("No Quarter"). Jimmy Page's guitar work is at its most exquisitely beautiful on "The Rain Song", but the heavy-rock punch of yore is still present and accounted for on "Dancing Days" and "The Ocean". From here, it seemed like Led Zeppelin was capable of anything.
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61% buy the item featured on this page: Houses of the Holy £5.88 |
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11% buy Physical Graffiti £10.48 |
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10% buy Led Zeppelin IV £5.78 |
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9% buy Led Zeppelin III £4.98 |
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