Product Description
Amazon.co.uk Review
These 17 tunes come from King's most fertile period, his 1966-68 tenure at Memphis's Stax Records. Stax chief Jim Stewart had been reluctant to sign blues artists because he felt straight blues wouldn't mesh with Stax's patented Memphis soul. Ironically, the fusion of King's sharp guitar wails with the dynamic rhythms of Booker T. & the MGs--the Stax house band--was what set King apart from other bluesmen. The unique blend produced classic after classic: Booker T. Jones' rolling piano propels "Laundromat Blues". Al Jackson's drum shuffle supports "Crosscut Saw". The driving horns of Andrew Love, Wayne Jackson and Joe Arnold accentuate "Born Under a Bad Sign". King's ripe and mellow vocals are a perfect match for the soul-drenched music while his dramatic string bends leap out. --Marc Greilsamer
Description
Backed by Booker T & the MGs and the Memphis Horns, Albert King (confusingly, no relation to Freddie or BB--though he named himself after the latter) shows off his spare, elastic,fluid guitar style on this definitive compilation. Songs such as "Laundromat Blues", "Oh, Pretty Woman", and the immortal "Crosscut Saw" with its sinuous, interweaving rhythms areblues classics, while "Born Under a Bad Sign" and "The Hunter" were later covered by Cream and Bad Company respectively. The combination of King and the Memphis musicians makes for some thrilling moments--particularly the guitar's entry under the horns on "Sign" and the interplay between King's guitar and Al Jackson's samba-style drums in "Crosscut Saw". Though King never achieved the fame of the man whose name he took, he created his fair share of great blues recordings, and KING OF THE BLUES GUITAR is an excellent primer to his unique style.