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East-West
 
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East-West [Import]

~ Paul Butterfield
4.0 out of 5 stars  See all reviews (1 customer review)
Price: £10.29 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (11 Mar 1993)
  • Number of Discs: 1
  • Format: Import
  • Label: Warner
  • ASIN: B000002GZ3
  • Other Editions: Vinyl  |  MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 62,327 in Music (See Bestsellers in Music)

    Popular in this category:

    #23 in  Music > Blues > Instruments > Harmonica

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song Title Time Price
Listen  1. Walkin' Blues (LP Version) 3:18£0.69
Listen  2. Get Out Of My Life, Woman (LP Version) 3:14£0.69
Listen  3. I Got A Mind To Give Up Living (LP Version) 4:58£0.69
Listen  4. All These Blues (LP Version) 2:20£0.69
Listen  5. Work Song (LP Version) 7:54£0.69
Listen  6. Mary, Mary (LP Version) 2:51£0.69
Listen  7. Two Trains Running (LP Version) 3:55£0.69
Listen  8. Never Say No (LP Version) 3:00£0.69
Listen  9. East West (LP Version)13:11Album Only


Product Description

From Amazon.com

If the Butterfield Blues Band's groundbreaking debut earned the respect of the group's elder influences, this one won over (and guided) the blues boys' psychedelic peers. Highlighted by the 13-minute-plus title track (an Eastern-influenced jam cowritten by guitarist Mike Bloomfield), East-West stretches the boundaries of the blues. It would prod many lesser groups to explore, with generally dreary results, interminable free-flight explorations. But while East-West and a cover of jazzman Cannonball Adderly's "Work Song" ventured in new directions, Paul Butterfield and company remained rooted in solid Chicago blues. East West presents the best of both worlds. --Steve Stolder


CD Description

A pivotal '60s album. The Butterfield Blues Band's 1965 debut was a life-changing experience for a generation of young blues players; this follow-up, while not quite as epochal, can still be credited with influencing just about every underground band then percolating in San Francisco.
In fact, the album's title track is an epic 13-minute modal jam that is an obvious template for what the Airplane, the Dead, Quicksilver, and the rest would be doing a year later. The remainder of the album is more traditional, save for a radical deconstruction of Monkee Mike Nesmith's "Mary Mary" (if this was a bid for a hit single, they were kidding themselves), andthere are sensational performances in abundance, including a deeply-felt rendering of the blues classic "Got a Mind to Give Up Livin'".

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Average Customer Review
4.0 out of 5 stars (1 customer review)
 
 
 
 
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4 of 4 people found the following review helpful:
4.0 out of 5 stars Blues gone West..., 18 Sep 2008
By G. E. Harrison (Cheltenham) - See all my reviews
(TOP 1000 REVIEWER)   
Hard to believe now but in the mid-60s the two great white hopes of blues guitar were Clapton in the UK and Mike Bloomfield in the US. Both started as traditional blues players but by 1966 Clapton had joined Cream and Bloomer and Butter released this offering.

If the Butterfield Band's debut album had been traditional Muddy Waters-style Chicago blues, this one was much more experimental and varied. It did contain traditional blues in the shape of good versions of Muddy's "Two trains running" and Robert Johnson's "Walking blues" but also more souly Bobby Bland-style numbers like Allen Tousaint's "Get out my life woman" and "I got a mind to give up living" - the style which Butterfield would use on his next couple of albums. There was also the Mike Nesmith song "Mary Mary" which despite being a short pop song actually works well. Surprisingly Butterfield's powerful and distictive voice and wonderful harp playing fit in to all different styles of music on this record.

However, it's the two instrumentals, the 13-minute title track and to a lesser extent the 8-minute version of Nat Adderley's "Work song" that came to define the album. "East-West" was a modal experiment in fusing blues and Indian music, in an extended free jazz format. If it seems a bit passe now it was ground-breaking at the time and mind-blowing in terms of its scope and its length. It influenced many other blues and rock bands (particularly on the West coast) to strech out and explore different kinds of music. I'm not entirely sure that the mix works as an album but it does offer variety and there is some good playing to admire. It's sad that fashion and substance abuse limited the success of both Butter and Bloomer, who could only dream of the continuing success that Clapton has enjoyed (despite his own substance abuse!)
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