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Track Listings
| 1. Sunshine of Your Love - Living Colour |
| 2. Darkness, Darkness - Screaming Trees |
| 3. Alone in the Dark - John Hiatt |
| 4. Entity - Mother Tongue |
| 5. Sunshine of Your Love [Remix] - Living Colour |
| 6. Main Title/Harry Makes His Entrance |
| 7. Escape from the Chateau |
| 8. Harry's Sweet Home |
| 9. Harry Rides Again |
| 10. Spyng on Helen |
| 11. Juno's Place |
| 12. Caught in the Act |
| 13. Shadow Lover |
| 14. Island Suite |
| 15. Causeway/Helicopter Rescue |
| 16. Nuclear Kiss |
| 17. Harry Saves the Day |
Product Description
Amazon.co.uk Review
Instead of clomping a mechanical beat beneath Schwarzenegger's feet as in the Terminator movies, director Jim Cameron this time wanted to send-up the Austrian Oak as a super-spy. In almost vaudeville style Brad Fiedel begins with a theatrical drum roll for "Main Title/Harry Makes His Entrance". The score then gives way to a high-speed synth chase where the orchestra almost loses the race to finish first for the movie's prologue Bond spoof. In a nice change of pace, the music has by this point become comical footpadding. This is without doubt Fiedel's most melodic work, but it's for the individual ear to decide whether the electronic overlays have diluted the worthy tunes. Harry's theme is a sprightly, tub-thumping piece that would have worked either as pure live instrumentation or entirely synthesised. Like several other film composers, he seems compelled to run parallel with both. The songs hardly make a dent in the movie, but somehow necessitate a whole first half of this disc to themselves (two versions of Living Colour's "Sunshine of Your Love"?). But a little judicious re-ordering goes a long way. --Paul Tonks
Instead of clomping a mechanical beat beneath Schwarzenegger's feet as in the Terminator movies, director Jim Cameron this time wanted to send-up the Austrian Oak as a super-spy. In almost vaudeville style Brad Fiedel begins with a theatrical drum roll for "Main Title/Harry Makes His Entrance". The score then gives way to a high-speed synth chase where the orchestra almost loses the race to finish first for the movie's prologue Bond spoof. In a nice change of pace, the music has by this point become comical footpadding. This is without doubt Fiedel's most melodic work, but it's for the individual ear to decide whether the electronic overlays have diluted the worthy tunes. Harry's theme is a sprightly, tub-thumping piece that would have worked either as pure live instrumentation or entirely synthesised. Like several other film composers, he seems compelled to run parallel with both. The songs hardly make a dent in the movie, but somehow necessitate a whole first half of this disc to themselves (two versions of Living Colour's "Sunshine of Your Love"?). But a little judicious re-ordering goes a long way. --Paul Tonks
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