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Songs of Leonard Cohen
 
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Songs of Leonard Cohen [Import]

~ Leonard Cohen
5.0 out of 5 stars See all reviews (4 customer reviews)

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Product details

  • Audio CD (13 Jul 1989)
  • Number of Discs: 1
  • Format: Import
  • Label: Sony/Columbia
  • ASIN: B0000024TT
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars See all reviews (4 customer reviews)
  • Amazon.co.uk Sales Rank: 184,909 in Music (See Bestsellers in Music)

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Track Listings

1. Suzanne
2. Master Song
3. Winter Lady
4. Stranger Song
5. Sisters of Mercy
6. So Long, Marianne
7. Hey, That's No Way to Say Goodbye
8. Stories of the Street
9. Teachers
10. One of Us Cannot Be Wrong

Product Description

From Amazon.com
Time has been extraordinarily kind to Songs of Leonard Cohen. While it attracted considerable fanfare upon its release in 1968, not everyone was immediately captured by its dusky charms. Randy Newman, for one, couldn't resist the temptation to parody "Suzanne," the album's brooding opener, on his 12 Songs album. (Conversely, director Robert Altman brilliantly drew upon the dirges here for the soundtrack to his classic anti-western, McCabe and Mrs. Miller.) But what some once found to be pretentious and affected has come to feel penetrating and ageless. Seeded with what have become signature songs of the Canadian wordsmith ("Sisters of Mercy," "Hey, That's No Way to Say Goodbye," "So Long, Marianne"), the album has a narcotic quality that owes as much to producer/musical director John Simon's inspired folk-baroque soundscapes as to Cohen's lofty lyrics and earth-bound vocals. --Steven Stolder

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Customer Reviews

4 Reviews
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5.0 out of 5 stars (4 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
5.0 out of 5 stars Sublime, 22 Oct 2006
By Pieter "Toypom" (Johannesburg) - See all my reviews
(TOP 10 REVIEWER)   
This review is from: Songs of Leonard Cohen (Audio CD)

The lilting poetry of Suzanne lures the listener into Leonard Cohen's world of romantic despair while introducing the essence of his sound: a deep monotone voice framed by sublime female backing vocals over simple but engaging melodies.

Master Song, Winter Lady and Stranger Song reinforce the desolate landscape although the melodies are less immediate. Cohen's genius shines brightly on the immortal Sisters Of Mercy, a strange mixture of the spiritual and the sensual that must be one of the most beautiful song-poems in the English language.

This delicate gem is followed by the poignant and evocative So Long Marianne and the understated Hey That's No Way To Say Goodbye, both masterpieces of words, melody and arrangement - the female vocals on Goodbye is especially impressive. The music sounds as if it is divinely inspired.

I also recommend Democracy: Judy Collins Sings Leonard Cohen, to enjoy her beautiful interpretations of Suzanne, Sisters Of Mercy and Hey That's No Way To Say Goodbye. She was the first to cover his songs. Famous Blue Raincoat by Jennifer Warnes is another sublime tribute album.
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10 of 12 people found the following review helpful:
5.0 out of 5 stars Three early masterpieces, 27 Nov 2004
By Pieter "Toypom" (Johannesburg) - See all my reviews
(TOP 10 REVIEWER)   
This review is from: Songs of Leonard Cohen (Audio CD)
The Songs Of Leonard Cohen (1968): The lilting poetry of Suzanne lures the listener into Leonard Cohen's world of romantic despair while introducing the essence of his sound: a deep monotone voice framed by sublime female backing vocals over simple but engaging melodies. Master Song, Winter Lady and Stranger Song reinforce the desolate landscape although the melodies are less immediate. Cohen's genius shines brightly on the immortal Sisters Of Mercy, a strange mixture of the spiritual and the sensual that must be one of the most beautiful song-poems in the English language. This delicate gem is followed by the poignant and evocative So Long Marianne and the understated Hey That's No Way To Say Goodbye, both masterpieces of words, melody and arrangement - the female vocals on Goodbye is especially impressive.

Songs Of Love And Hate (1971): The intimate Famous Blue Raincoat was beautifully covered by Jennifer Warnes on her album of the same name which also contains a duet with Cohen on a longer version of the majestic Joan Of Arc. Sing Another Song Boys is Cohen at his bitter best, its harsh chorus atypical of the image of the subdued folkie but pointing to later songs like Lover Lover Lover on 1974's New Skin For The Old Ceremony. Diamonds In The Mine is in the same vein, where the celestial female vocals are particularly effective in balancing Cohen's raw voice on this song with its stunning imagery. (In retrospect, in tone and delivery these two songs are not too far removed from tracks like Iodine or Paper-Thin Hotel on his much-criticized Phil Spector produced album Death Of A Ladies Man). With astonishing elegance and simplicity, the haunting melodies, poetic lyrics and ragged voice have a way of establishing themselves in the consciousness of the listener. Few other artists touch the strings of the soul in the way that Cohen does. Perhaps Richard Thompson comes close now and again, as do Nick Drake, Lou Reed on Berlin, Nick Cave and definitely Swans and Angels Of Light.

New Skin For The Old Ceremony (1974) represents Cohen's first break from the early folk simplicity of his classic albums Songs Of Leonard Cohen, Songs From A Room (1969) and Songs Of Love And Hate, as it boasts a wider array of instruments including trombone, viola, percussion, mandolin and trumpet. This fuller instrumentation, together with a less restrained vocal style, makes the collection more varied. It's as if he deliberately veered closer to the rock tradition here. Again, the delivery on some of these songs now sound not dissimilar to the feel of Death Of A Ladies' Man, especially on Is This What You Wanted? and Lover Lover Lover. His trademark spirituality is much in evidence on tracks like Chelsea Hotel No. 2, Lover Lover Lover, Who By Fire and Take This Longing. These albums established Cohen as a master of striking sexual/political metaphor and rich allusive imagery.

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3 of 3 people found the following review helpful:
5.0 out of 5 stars The first masterpiece, 21 Nov 2004
By Pieter "Toypom" (Johannesburg) - See all my reviews
(TOP 10 REVIEWER)   
This 1968 album was Cohen's debut and remains one of his finest. The lilting poetry of Suzanne lures the listener into a world of romantic despair while introducing the essence of his sound: a deep monotone voice framed by sublime female backing vocals over simple but engaging melodies. Master Song, Winter Lady and Stranger Song reinforce the desolate landscape although the melodies are less immediate. Cohen's genius shines brightly on the immortal Sisters Of Mercy, a strange mixture of the spiritual and the sensual that must be one of the most beautiful song-poems in the English language. This delicate gem is followed by the poignant and evocative So Long Marianne and the understated Hey That's No Way To Say Goodbye, both masterpieces of words, melody and arrangement - the female vocals on Goodbye is especially impressive. The timeless appeal of these compositions is proven by the countless cover versions down the years.
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5.0 out of 5 stars The original masterpiece
The lilting poetry of Suzanne lures the listener into Leonard Cohen's world of romantic despair while introducing the essence of his sound: a deep monotone framed by sublime... Read more
Published on 15 May 2007 by Pieter

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