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Ron Sexsmith
 
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Ron Sexsmith

~ Ron Sexsmith
5.0 out of 5 stars  See all reviews (6 customer reviews)

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Product details

  • Audio CD (20 Mar 1999)
  • Number of Discs: 1
  • Label: Polydor Group
  • ASIN: B000001Y6P
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon.co.uk Sales Rank: 63,521 in Music (See Bestsellers in Music)

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song Title Time Price
Listen  1. Secret Heart 3:15£0.69
Listen  2. There's A Rhythm 3:11£0.69
Listen  3. Words We Never Use 3:03£0.69
Listen  4. Summer Blowin' Town 2:17£0.69
Listen  5. Lebanon, Tennessee 2:57£0.69
Listen  6. Speaking With The Angel 3:37£0.69
Listen  7. In Place Of You 3:33£0.69
Listen  8. Heart With No Companion 3:09£0.69
Listen  9. Several Miles 3:40£0.69
Listen10. From A Few Streets Over 2:43£0.69
Listen11. First Chance I Get 2:02£0.69
Listen12. Wastin' Time 2:45£0.69
Listen13. Galbraith Street 3:05£0.69
Listen14. There's A Rhythm 3:25£0.69


Product Description

CD Description

In the mid-'90s, a fragile, understated, Canadian singer-songwriter who drew inspiration from Tim Hardin and Harry Nilsson was as out of place as an upturned toilet seat in a convent. Such circumstances make it doubly impressive that Ron Sexsmith's debut album had such an impact (Elvis Costello himself touted it highly). It's not that Sexsmith particularly felt the world was ready for a return to the art-pop melodicism of Brian Wilson and the quietly adventurous folk-rock ofthe aforementioned Hardin (to whom Sexsmith bears a strong vocal resemblance). It's merely that this album was inside him, and had to come out.
Mitchell Froom's decidedly '90s production keeps things from sounding too retro, underpinning Sexsmith's tender reveries with drum loops and a conspicuous absence of reverb. Despite the modern trappings, Sexsmithcomes across as a classic old-school tunesmith. Song such as "Wasting Time" and "Secret Heart" are worthy of McCartney at his most engaging, and Sexsmith's waifish charisma carries the record perfectly.

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Customer Reviews

6 Reviews
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Average Customer Review
5.0 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
9 of 9 people found the following review helpful:
5.0 out of 5 stars A Near Perfect Album, 21 Sep 2002
By J. Skade "joeskade" (London, England) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)      
This is Ron Sexsmith's best album and certainly the best introduction to this supremely gifted songwriter. Ron is a great craftsman, something he shares with his great champion Elvis Costello and the dedicatee of this album Harry Nilsson. The opening track 'Secret Heart' is achingly beautiful with a superb vocal interpretation - the limitations of Ron's voice only emphasise the vulnerability at the heart of the song. If you don't like this song you probably won't like the rest. 'Speaking with the Angel' written for his son was borrowed (as a title) by Nick Hornby for an anthology of short stories in aid of a school for autistic children - the lyrics are startlingly appropriate and the connection only emphasises their depth and universality. The song is an outstanding moment on an outstanding album.
Another more personal favourite is 'Wasting Time' an easy going love song...but the whole album is - no other word will do - great.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars In the beginning, 2 Jan 2004
By A Connolly (Finstock, Oxfordshire United Kingdom) - See all my reviews
(REAL NAME)   
It is a tribute to the man, I think, that I had never, in 1995, considered mellow and intelligent music to be worth much attention before hearing Ron Sexsmith. I was young - 14 to be precise - and I liked Nirvana, Green Day, Sepultura and (yes) Slade.
But Ron was the first person since Buddy Holly to hit me as "my kind of music". Through this incredible album I heard Leonard Cohen for the first time and, nine years on, I am the Loudon Wainwright III, Bob Dylan and Randy Newman fan that one would expect such a grounding to spawn.
I had no idea that lyrics could be so simple and uncluttered, so generic yet personal. I knew it was an epiphany of sorts. I was breaking free of the shackles of being simply a "rock" fan, something I now realise was unusual to be doing so young. I am pleased to see that people are still 'discovering' this album and this man now.
The album itself opens with 'Secret Heart', a simple song stirring the most primitive of emotions, something that would become a trademark of Ron's. Anyone now thinking that Sexsmith was a little countrified is then left to think again with the folk-rock tinge of 'There's a Rhythm'.
The album continues in this vein of never quite letting on to where its going, through 'Words We Never Use' and 'Speaking With The Angel', to 'Summer Blowin' Town and 'First Chance I Get', you are constantly thrown between country, folk, rock and Costello-esque pop.
The truth is that, for all the Hank Williams you can hear in the man, there is an equal share of Ray Davies and Harry Nilsson. This makes it impossible to pigeon-hole Sexsmith, as is true with Wainwright, Dylan and Newman.
This diversity in his influences and writing has evolved over the years too. His last album, 'Cobblestone Runway', featured a dance track in the style of 'Lovefool' by the Cardigans (althought it was better, honest).
This means, I would wager, that we have not seen the last of Ron's twists and turns. Even so, sometimes we all get nostalgic for what turned us on in the beginning.
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9 of 11 people found the following review helpful:
5.0 out of 5 stars Solo debut at last . (revised & corrected), 1 Mar 2005
By Milt Ingarfield "milt_fm" (Arbroath, Scotland) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
The release of this the first album by Ron Sexsmith was a long journey that had started in December 1987 when Ron had not long moved to Toronto he went to see a producer called Bob Wiseman, he liked Ron's songs and agreed to help him record a Demo tape, the producer just had a tiny basement studio this is where the demo was to be recorded, a 4 track demo tape was planned.

In the process of recording the demo the 4 tracks turned onto 11 tracks, however Bob Wiseman played for a well-known Canadian band called "Blue Rodeo" and with their busy touring schedule and Bob's other work commitments the recording of the 11 tracks was stretched over a 3-year period, finally the 11 songs were released as a independent cassette called "Grand Opera Lane" this was early 1991.

As if by magic a copy of the tape found it's way down to a bigwig in Los Angeles this lead to a publishing deal, which in turn lead to a recording contract with the label "Interscope".

If you want to get hold of this tape forget it, (long time sold out) but now from Ron's own website the tape has been re-issued as a C.D.

Out of the 11 songs that appeared on the tape only 1 track made it to the major label debut, the track in question is called "Speaking with the Angel" which is a lot rockier in nature than the version you will hear on this album.

For the release of Ron's eponymous album, one of my favourite producers was brought in (this is how I personally discovered Ron) Mitchell Froom along with his long time partner Tchad Blake, who was employed to record and mix the recordings.

The another attraction for me was some of the musicians that appear on this album firstly one of my favourite drummers, Jerry Marotta, who for this collection of songs under plays so as not to overwhelm the delicate songs that Ron has written, and of course the superb keyboard skills of Mitchell Froom who also under plays.

Another appealing element for me was the overall sound of the album; this was achieved by the skills of Bob Ludwig at "Gateway Mastering" the master of sound in my opinion.

Ron Sexsmith has very angelic face and has a voice to match; in one minute you feel like the man is going to break into tears and in the next moment he has you the listener feeling like you will break down with him.

As he sings the opening lines of the first track "Secret Heart" the feeling of his despair comes washing over you, this is an album of love lost and of love unrequited.
The only time that this underlining feeling isn't felt for me is during the singing of the only cover song "Heart with no Companion" which is strange because it's a track written by fellow Canadian Leonard Cohen (the master of the downer song) for Ron's version is the only track on the album that rocks a bit.

To close the album Ron has chosen to include another version of "There's a Rhythm" which has Daniel Lanois playing electric guitar on it, Mr Lanois also produced this version.

As quietly as this collection had began it finishes, this album is barely 43 minutes long and along the way the tracks that you have heard on the journey to get there will have had touched your heart and made you feel the pain of longing and heartache.

An album that is perfect for going through a break-up, that's what I've used it for in the past anyway it helped me....

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Most Recent Customer Reviews

5.0 out of 5 stars Pregnant music
Found this one in a bargain bin in 1997....best fiver ever spent.My wife was pregnant at the time with our son and we had cancelled a holiday due to some complications(both are... Read more
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5.0 out of 5 stars Solo Debut at last...
Solo debut at last…

The release of this the first album by “Ron Sexsmith” was a long journey that had started in December 1987 when “Ron” had not... Read more

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5.0 out of 5 stars A real 'Singer-songwriter' classic
Ron Sexsmith's first album remains his best. It is that old story that an artists' debut contains years of melodies and emotions distilled into songs, as the subsequent albums... Read more
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