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Track Listings
| 1. In Hydraulis |
| 2. Anthoni usque limina |
| 3. Victime pascali(Plainchant, sarum rite, 13th cent) |
| 4. Victime pascali |
| 5. Regina celi (plainchant, Cambrai use,c. 1508) |
| 6. Regina celi I |
| 7. A que ville |
| 8. Bel acueil |
| 9. Je ne puis vivre |
| 10. Missa O crux lignum triumphale: Kyrie |
| 11. Missa O crux lignum triumphale: Gloria |
| 12. Missa O crux lignum triumphale: Credo |
| 13. Missa O crux lignum triumphale: Sanctus |
| 14. Missa O crux lignum triumphale: Agnus |
On this CD:
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In hydraulis
Composed by Antoine Busnois
Performed by Pomerium Musices
Conducted by Alexander Blachly
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Anthoni usque limina
Composed by Antoine Busnois
Performed by Pomerium Musices
Conducted by Alexander Blachly
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Victimae Paschali laudes
Composed by Antoine Busnois
Performed by Pomerium Musices
Conducted by Alexander Blachly
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Regina coeli (first setting)
Composed by Antoine Busnois
Performed by Pomerium Musices
Conducted by Alexander Blachly
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A que ville
Composed by Antoine Busnois
Performed by Pomerium Musices
Conducted by Alexander Blachly
-
Bel acueil
Composed by Antoine Busnois
Performed by Pomerium Musices
Conducted by Alexander Blachly
-
Je ne puis vivre ainsi
Composed by Antoine Busnois
Performed by Pomerium Musices
Conducted by Alexander Blachly
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Missa, 'O crux lignum'
Composed by Antoine Busnois
Performed by Pomerium Musices
Conducted by Alexander Blachly
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Gregorian Chant for Easter Sunday
Composed by Anonymous
Performed by Pomerium Musices
Conducted by Alexander Blachly
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Gregorian Chant for Divine Office: Compline
Composed by Anonymous
Performed by Pomerium Musices
Conducted by Alexander Blachly
Product Description
From Amazon.com
One of the delights of exploring early music is that there's always some wonderful discovery just around the corner--some composer or work you've never heard of or were afraid to take a chance on last year, but who now compels your attention. And you're pleasantly surprised, as you will be when you discover the works of 15th-century Burgundian composer Busnoys. From the very first minute of his fantastic In hydraulis--a tribute to Ockeghem--you'll realize that here was a composer of considerable talent for part writing, for melody, and for intricate rhythmic structures. No less interesting is his motet in honor of St. Anthony Abbot, with its vocal imitation of a tolling bell throughout. The writing is remarkably fluid and harmonically inventive--and the 13-voice ensemble Pomerium demonstrates absolutely marvelous control and virtuoso technique. --David Vernier
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