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Track Listings
| 1. Hang On St. Christopher |
| 2. Straight To The Top |
| 3. Blow Wind Blow |
| 4. Temptation |
| 5. Innocent When You Dream (Barroom) |
| 6. I'll Be Gone |
| 7. Yesterday Is Here |
| 8. Please Wake Me Up |
| 9. Franks Theme |
| 10. More Than Rain |
| 11. Way Down In The Hole |
| 12. Straight To The Top (Vegas) |
| 13. I'll Take New York |
| 14. Telephone Call From Istanbul |
| 15. Cold Cold Ground |
| 16. Train Song |
| 17. Innocent When You Dream (78) |
Product Description
Amazon.co.uk Review
All the voices in Tom Waits' head come out on this album: the growler (of course), the crooner, the preacher, the screecher, and the Vegas cheese ball. The instrumentation is equally eclectic. (Yep, that's Waits himself playing the "rooster" on the album's best song, "I'll Be Gone".) More memorable moments: "Innocent When You Dream" (both times), the vocal howling at the end of "Blow Wind Blow", and the lovely coughing fit after "I'll Take New York." Frank's Wild Years is the musical remains of a theatrical collaboration between Waits and Kathleen Brennan, originally staged in 1986. It contains nuggets of important practical advice, sure--"never drive a car when you're dead" (from "Telephone Call from Istanbul")--but mostly these songs are fantasy freaks. Frank's is big-time dreamer. It's a dreamy album. Sweet dreams. --Dan Leone
Description
Ostensibly a "concept" piece about the strange adventures of a ne'er-do-well named Frank, FRANK'S WILD YEARS is an album full of masterfully written songs and brilliant arrangements, whether one follows the conceptual thread or not. This final album in the loose trilogy that began with SWORDFISHTROMBONES expands upon the advances of its predecessors both interms of hazy, dreamlike imagery and eclectic, exotic instrumentation.
Waits is nothing if not theatrical, and he plays a wide range of characters here. On the uproarious "Straight to the Top" he's a gonzo lounge singer. On "Innocent When You Dream" he's an old-world balladeer after too many whiskeys. He dons the preacher's cloak for "Down in the Hole", warning of the devil's powers, and he braves the top of his range for an unearthly shriek on "Temptation". Buoyed by theangular, eccentric accompaniment of Mark Ribot, Michael Blair and others, he rides an oddly wrought, multicoloured train to musical glory.
All the voices in Tom Waits' head come out on this album: the growler (of course), the crooner, the preacher, the screecher, and the Vegas cheese ball. The instrumentation is equally eclectic. (Yep, that's Waits himself playing the "rooster" on the album's best song, "I'll Be Gone".) More memorable moments: "Innocent When You Dream" (both times), the vocal howling at the end of "Blow Wind Blow", and the lovely coughing fit after "I'll Take New York." Frank's Wild Years is the musical remains of a theatrical collaboration between Waits and Kathleen Brennan, originally staged in 1986. It contains nuggets of important practical advice, sure--"never drive a car when you're dead" (from "Telephone Call from Istanbul")--but mostly these songs are fantasy freaks. Frank's is big-time dreamer. It's a dreamy album. Sweet dreams. --Dan Leone
Description
Ostensibly a "concept" piece about the strange adventures of a ne'er-do-well named Frank, FRANK'S WILD YEARS is an album full of masterfully written songs and brilliant arrangements, whether one follows the conceptual thread or not. This final album in the loose trilogy that began with SWORDFISHTROMBONES expands upon the advances of its predecessors both interms of hazy, dreamlike imagery and eclectic, exotic instrumentation.
Waits is nothing if not theatrical, and he plays a wide range of characters here. On the uproarious "Straight to the Top" he's a gonzo lounge singer. On "Innocent When You Dream" he's an old-world balladeer after too many whiskeys. He dons the preacher's cloak for "Down in the Hole", warning of the devil's powers, and he braves the top of his range for an unearthly shriek on "Temptation". Buoyed by theangular, eccentric accompaniment of Mark Ribot, Michael Blair and others, he rides an oddly wrought, multicoloured train to musical glory.