Most Helpful Customer Reviews
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19 of 19 people found the following review helpful:
5.0 out of 5 stars
One of the most impressive albums of the 1980s, 24 Aug 2003
Steve Winwood was indeed enjoying the high life after the release of this album in 1986. Back in the High Life is one of the best albums of that musically rich decade, providing Winwood with four huge hit singles. Winwood almost became too popular as a result of these songs; the radio played Higher Love, The Finer Things, Freedom Overspill, and Back in the High Life Again so often that even I eventually began to grow tired of them. As a result, I can say that I enjoy this album even more today than I did at the time of its initial release. Winwood's distinctive, laid-back music never goes out of style, and it soothes the soul while touching the heart with some quite emotional, really meaningful lyrics. I'm afraid I can't really describe the music; all I can say is that it combines drums, guitars, and horns in a way that is all its own.While the album is remembered primarily for commercial successes such as Higher Love (featuring memorable backup vocals by Chaka Kahn) and Back in the High Life Again (featuring harmony vocals by James Taylor), it features eight songs of incredible quality. I might note that each track exceeds five minutes in length, so this album is not as short as it may appear. Take It As It Comes had real hit potential in my opinion. Wake Me Up on Judgment Day doesn't seem that memorable yet plays itself over and over in your mind after you hear it. Split Decision features some great guitar riffs, proving that Winwood can get down and rock a little when he wants to. The final track, My Love's Leavin', may well be the best song on the album, communicating both loss and hope in a way few artists can equal. You would be hard pressed to find a more impressive album from top to bottom than Steve Winwood's Back in the High Life.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Join Stevie in the Highlife, 8 Jun 2003
This album was recommended to me by my geography teacher as at the time "Valerie" was one of my favourite songs."Back In The Highlife" has proved to be one of the best additions I ever made to my LP collection and was one of the first CDs I bought when I made the switch from vinyl. If you don't have any Steve Winwood in your collection, make this album the first one you buy. The production is so smooth and the melodies so absorbing that this album has no tracks you'll need to skip past when playing. It has only 8 songs, but they are all top quality. A truly wonderful album. You will love it!
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
Excellent rock album which gave Steve long-awaited success, 13 Dec 2000
By A Customer
After a 20 year career with the Spencer Davis Group, Traffic, Blind Faith and as a solo artist, Steve Winwood finally hit big with this album of consistent quality from start to finish. Throughout, Winwood's high, soulful voice is on good form, and the songs are his most consistently commercial to date - every one being memorable. The Grammy-winning 'Higher love' opens the album, and from then on it's the same excellent standard, with potential hit after hit until the gentle closing ballad 'My love is leaving', with lyrics by former Bonzos front-man and occasional Winwood collaborator Viv Stanshall.The album's sound and style is very different from that of his earlier solo efforts, thanks to factors such as the large session band, the heavy use of percussion, synthesizers and horns, and the powerful overall sound of the recording contributed by the mixing style of Tom Lord-Alge. There are also notable contributions from a number of well-known artists, such as Chaka Khan, Dan Hartman, James Ingram and James Taylor (vocals), John Robinson and Steve Ferrone (drums) and Nile Rodgers and Joe Walsh (guitar). Although synthesizers and drum machines are quite prominent in the recording, they are tempered by Winwood's stylish vocals and Hammond organ playing, and the album certainly does not have a machine-like, soulless sound, but rolls along effortlessly assisted by the complex percussion arrangements. Guitars appear on most tracks, although the use of a synth bass rather than bass guitar does mean that the tracks do not 'flow' quite as naturally as they might have done. Whilst not wanting to downplay Winwood's other albums (the subsequent 'Roll with it' is also excellent) this record is so consistent that it must be regarded as probably his best so far. Very highly recommended.
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~ Steve Winwood
~ Steve Winwood
~ Steve Winwood
~ Steve Winwood
~ Steve Winwood
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