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Back In The High Life
 
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Back In The High Life

~ Steve Winwood
5.0 out of 5 stars  See all reviews (5 customer reviews)
Price: £4.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Back In The High Life + Arc Of A Diver + Chronicles
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  • This item: Back In The High Life ~ Steve Winwood

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  • Arc Of A Diver ~ Steve Winwood

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Product details

  • Audio CD (7 Jul 1986)
  • Number of Discs: 1
  • Label: Universal / Island
  • ASIN: B000001FKA
  • Other Editions: Audio CD  |  Audio Cassette  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon.co.uk Sales Rank: 20,538 in Music (See Bestsellers in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song Title Time Price
Listen  1. Higher Love 5:51£0.69
Listen  2. Take It As It Comes 5:24£0.79
Listen  3. Freedom Overspill 5:36£0.69
Listen  4. Back In The High Life Again 5:35£0.69
Listen  5. The Finer Things 5:49£0.69
Listen  6. Wake Me Up On Judgment Day 5:52£0.69
Listen  7. Split Decision 6:00£0.69
Listen  8. My Love's Leavin' 5:21£0.69


Product Description

CD Description

More meticulously crafted than its predecessor ARC OF A DIVER, and more musically adventurous than its follow-up ROLL WITH IT, BACK IN THE HIGH LIFE represents the pinnacle of Steve Winwood's '80s pop output. High production values, interlocking percussion lines, R&B backing vocals, horns, synthesizers and ideas borrowed from various world musics enhance and update Winwood's proclivity for blues, R&B, and rock. His distinctive, blue-eyed soul vocals are, naturally, at the front of the mix as well.
The runaway Number One single, "Higher Love", with its syncopated groove, pan-African percussion, and slick Top-40 production, kicks off this accessible set. Elsewhere, the dance-gospel of "Wake Me Up on Judgment Day", the semi-acoustic title track, and the funk-touched "Split Decision" (which proves Winwood's R&B roots are still strong) keep the stylistic wheel turning. The record's success, sonically and commercially, should come as no surprise. Since his days in Traffic, Winwood has been a masterful stylistic synthesist, melding a range of aesthetics in ways that invariably connect with listeners. BACK IN THE HIGH LIFE is further proof of his remarkable abilities.

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Customer Reviews

5 Reviews
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Average Customer Review
5.0 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
19 of 19 people found the following review helpful:
5.0 out of 5 stars One of the most impressive albums of the 1980s, 24 Aug 2003
By Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
(TOP 10 REVIEWER)    (REAL NAME)   
Steve Winwood was indeed enjoying the high life after the release of this album in 1986. Back in the High Life is one of the best albums of that musically rich decade, providing Winwood with four huge hit singles. Winwood almost became too popular as a result of these songs; the radio played Higher Love, The Finer Things, Freedom Overspill, and Back in the High Life Again so often that even I eventually began to grow tired of them. As a result, I can say that I enjoy this album even more today than I did at the time of its initial release. Winwood's distinctive, laid-back music never goes out of style, and it soothes the soul while touching the heart with some quite emotional, really meaningful lyrics. I'm afraid I can't really describe the music; all I can say is that it combines drums, guitars, and horns in a way that is all its own.

While the album is remembered primarily for commercial successes such as Higher Love (featuring memorable backup vocals by Chaka Kahn) and Back in the High Life Again (featuring harmony vocals by James Taylor), it features eight songs of incredible quality. I might note that each track exceeds five minutes in length, so this album is not as short as it may appear. Take It As It Comes had real hit potential in my opinion. Wake Me Up on Judgment Day doesn't seem that memorable yet plays itself over and over in your mind after you hear it. Split Decision features some great guitar riffs, proving that Winwood can get down and rock a little when he wants to. The final track, My Love's Leavin', may well be the best song on the album, communicating both loss and hope in a way few artists can equal. You would be hard pressed to find a more impressive album from top to bottom than Steve Winwood's Back in the High Life.

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7 of 7 people found the following review helpful:
5.0 out of 5 stars Join Stevie in the Highlife, 8 Jun 2003
By Dusty Bin (N Ireland) - See all my reviews
This album was recommended to me by my geography teacher as at the time "Valerie" was one of my favourite songs.

"Back In The Highlife" has proved to be one of the best additions I ever made to my LP collection and was one of the first CDs I bought when I made the switch from vinyl.

If you don't have any Steve Winwood in your collection, make this album the first one you buy.

The production is so smooth and the melodies so absorbing that this album has no tracks you'll need to skip past when playing.

It has only 8 songs, but they are all top quality.

A truly wonderful album. You will love it!

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14 of 15 people found the following review helpful:
5.0 out of 5 stars Excellent rock album which gave Steve long-awaited success, 13 Dec 2000
By A Customer
After a 20 year career with the Spencer Davis Group, Traffic, Blind Faith and as a solo artist, Steve Winwood finally hit big with this album of consistent quality from start to finish. Throughout, Winwood's high, soulful voice is on good form, and the songs are his most consistently commercial to date - every one being memorable. The Grammy-winning 'Higher love' opens the album, and from then on it's the same excellent standard, with potential hit after hit until the gentle closing ballad 'My love is leaving', with lyrics by former Bonzos front-man and occasional Winwood collaborator Viv Stanshall.

The album's sound and style is very different from that of his earlier solo efforts, thanks to factors such as the large session band, the heavy use of percussion, synthesizers and horns, and the powerful overall sound of the recording contributed by the mixing style of Tom Lord-Alge. There are also notable contributions from a number of well-known artists, such as Chaka Khan, Dan Hartman, James Ingram and James Taylor (vocals), John Robinson and Steve Ferrone (drums) and Nile Rodgers and Joe Walsh (guitar). Although synthesizers and drum machines are quite prominent in the recording, they are tempered by Winwood's stylish vocals and Hammond organ playing, and the album certainly does not have a machine-like, soulless sound, but rolls along effortlessly assisted by the complex percussion arrangements. Guitars appear on most tracks, although the use of a synth bass rather than bass guitar does mean that the tracks do not 'flow' quite as naturally as they might have done.

Whilst not wanting to downplay Winwood's other albums (the subsequent 'Roll with it' is also excellent) this record is so consistent that it must be regarded as probably his best so far. Very highly recommended.

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Most Recent Customer Reviews

5.0 out of 5 stars The pinnacle of Winwood's recording career?
Whilst his other solo recordings are never less than excellent, this is probably the best of the lot. Read more
Published on 9 April 2006

5.0 out of 5 stars The only thing we agreed on for about 3000 miles.....
When I was 18, myself and two friends (Hi Duv, Hi Dog), departed from Portsmouth to drive down to Southern Spain in Dog's Renault 11. Read more
Published on 18 Jul 2003 by Nicholas Tier

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