Amazon.co.uk Review
After more than a decade with the Miracles, Smokey Robinson set off on a solo career, chronicled on this
Ultimate Collection. Often focusing on seduction rather than the heartache that was his bread and butter with the group, Smokey proved so effective that he managed to have a sub-genre named after one of his albums,
A Quiet Storm, here represented by a triptych including the title cut, "Baby That's Backatcha," and "The Agony and the Ecstasy". Sweet, occasionally sly and beautifully sung, this music doesn't have quite the unforgettable quality of the
Miracles' best, but every moment of it is pure Smokey. --
Rickey Wright
Description
Smokey Robinson's compositions blended pop and R&B conventions, infusing the combination with a highly literate lyricalsensibility that set his songs apart from the pack. With his group the Miracles, Detroit native Robinson got in on the ground floor of the Motown explosion, as his songs and his voice--a smooth, liquid marvel of soul--resonated not only with label head Berry Gordy, but with legions of '60s teens. Throughout the '60s, Robinson and the Miracles produced countless pop-soul hits, both effervescent ("Going to a Go-Go") and mournful ("The Tracks of my Tears"). Robinson's flexible,almost Cole Porter-ish way with a lyric made him an in-demand songwriter for many of his contemporaries, like Mary Wells, Marvin Gaye and the Marvelettes.
After splitting from the Miracles in 1972, Robinson began a solo career, exploring the more introspective, balladic side of his music. His 1975 album QUIET STORM set the bar for virtually every smooth,romantic R&B singer of the next two decades, virtually defining the style. After a fallow period, he made a comeback inthe early '80s, with commercial-but-irresistible hits like "Cruisin'" and "Being With You".